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22                                                Jim Provenzano

            hard-on just by watching the weekly joke commercial about kielbasa, the
            Polish sausage my mother only cooked, thankfully, on holidays.
               The commercial featured a tight pan shot of Big Chuck’s waist. He
            sported denim jeans and a holster, but instead of a gun, he had a long,
            pendulous link of kielbasa in it. As he walked, the thick sausage flopped
            against his hip. Usually I’d settle for jacking off to that image, imagining
            the meat to be Big Chuck’s. I’d then force myself to watch the rest of the
            show, drowsing on the sofa huddled under a blanket, usually falling asleep
            for the night.
               The show always ended with Big Chuck and Hoolihan standing
            around, sound off, while the audio guy played Peggy Lee’s “Is That All
            There Is?” It was years before I even heard the song in its entirety, since
            the version they played always slowed to a halt, recorded to the sound of
            the turntable winding down, Peggy Lee’s voice thickening to molasses.
            It became a theme—no exposures, no flesh flash, another dumb movie,
            another Saturday night with me alone in a clammy basement, perpetually
            waiting for a moving image of manhood.
               One night, though, I felt a sense of anticipation and held off, even
            through the swinging sausage bit. The movie that night was Creature from
            the Black Lagoon, and I’d successfully delayed my teen orgasm through
            every one of the men’s underwater and shirtless scenes.
               I had initiated that basement so many times while watching Wild
            Wild West  episodes,  Space 1999, even an occasional  Beverly Hillbillies
            scene with Jethro, I lost track of the stains, the times I knelt down and
            fingered my seed into evaporating patterns on the dusty cement floor. I
            had a private cum-shooting contest alongside the full length Mark Spitz
            poster with him wearing only Speedos and seven medals, hung on the
            wall. Twice I struck gold.
               One afternoon, my brother Dan came down the stairs and caught me
            with a carrot.
               “What are you doing?” he cried.
               Well, if he didn’t know, I wasn’t about to explain it to him. Instead, I
            threw it at him. A bit of shit splatted against the paneling. He ran up the
            stairs, screaming. I quickly pulled my clothes on, grabbed the carrot, hid
            it deep in a garbage can, and raced up the stairs and out the garage door,
            where I continued running into the woods, a vast expanse of sub-subur-
            ban, not quite rural acreage, still undeveloped by rows of tract homes.
               I didn’t come home until well after nightfall. Dinner was dry but
            warm, a single plateful in the oven. There must have been a brief talk,
            “a little chat,” as Mom called them, but I don’t remember what was said,
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