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Finding Tulsa                                               23

               how she glossed over the facts until I burst out, loud enough for Dan to
               hear upstairs, with the fact that I was gay, and there wasn’t anything they
               could do about it.
                  All I knew was I had somehow gained power over the situation by
               showing the enormity of my secrets. I would choose the discussion. I
               would direct and cut the scene as I saw fit. I think that’s what gave Dan
               and me the biggest thrill, making things in our way, imitative of our icons
               and heroes, of course. But we got to make our childhoods.
                  That almost got ruined when Dan discovered me mid-carrot. Before
               that, we’d always been conspirators, collaborators. That changed when we
               grew apart.
                  Sex can do that, even when you don’t have it.


                  Before my brother discovered my affection for produce, and before I
               fell in love with Dick Thorson and other college boys with tall bodies and
               sweet smiles, things were innocent and all crammed together with giggles
               and fits.
                  Sometimes people asked if we were non-identical twins, which is
               not true, though we sometimes nodded yes in response, a private joke.
               Between me and Dan, my mom had had a miscarriage. One of our sickest
               jokes was picking on the imaginary in-between brother. He was a great
               little buffer when we couldn’t beat up on each other once we realized we
               only had each other.
                  Our first film was no masterpiece, nothing like our Jekyll and Hyde.
               The Christmas of 1974, I was twelve and Dan was thirteen-and-a-half. We
               got a GAF Super8 Movie Camera and a GAF Super8 Projector. They’re
               still both up in the attic in Brookside rotting and broken, but when we got
               them, it was magic. We rarely fought over who shot what. Somebody had
               to shoot, and somebody had to be shot. We traded.
                  Christmas Day, we ran around the house shooting the Christmas tree,
               the cats, and our parents smiling, the glaring movie light attached to the
               tiny camera like a headlight on antlers. We kept shooting long after the
               film ran out, and days later, we both raced to the Giant Store photo de-
               partment to get the little reel. Home again, we carefully wove it through
               the projector’s guts as if it were precious gold thread.
                  We laughed at our incompetence, but inside, we both knew we’d
               failed. It wasn’t art. We didn’t even want to show it to our parents, but
               relented. When they mentioned showing it to some of their friends, we
               cringed, cashed our Christmas checks from our grandparents, and bought
               four more rolls of film. Then we planned.
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