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h a ir s p ra y  1960’s America was brought


 exquisitely and professionally to
 the stage this year at Theatr
 Colwyn by the inimitable Jenny
 Hendy and her dedicated cast and
 crew, together with the wonderful
 school production 2017  school jazz band, led of course by
 lotophagi extraordinaire, Dr Ward.

 Big ambition, big hair, a spirit of
 optimism and devil-may-care,
 the ozone layer certainly
 wasn’t a concern back in ’62
 when the aerosols were                                                     A parent’s perspective by Heather O’Leary
 liberally deployed on the
 nation’s bouffants, but  It is difficult to single out individual performances when the entire
 racism was certainly  cast was utterly convincing, but I will mention those that really
        stood out for me. Hannah Eikmann was immense in the role of
 endemic and Hairspray  Tracy Turnblad, owning the stage throughout, and never faltering
 tackles it, head on,  once. Emma Mulvihill was professionalism personified as Velma,
 together with a  as  was  Bea  Swindley  playing  Velma’s  daughter  Amber.
 smattering of teenage  George Palmer-Hall had the audience in stitches with
 angst, escapism,  his  deadpan  performance  of  Edna,  a  role  made
 parental ignorance, and  infamous  by  Travolta  in  the  film  version.    Josh
 revolutionary ideals. It
 all sounds terribly  Davies  pulled  off  a  convincingly  corny  Corny
 familiar doesn’t it? Plus  Collins  with  aplomb,  Joe  Mutch  a  similarly
 ca change, plus c’est la  cheesy  Link  Larkin,  and  Kiani  Geldard  was
        entirely captivating as Motormouth Maybelle.
 meme chose (the more it  Ella  Tuck  and  Mackenzie  Best  had  great
 changes the more it’s the  chemistry  as  Penny  and  Seaweed.  The
 same thing).
        Dynamites, Molly, Ela, and Rebecca, were
 I never cease to be blown away  truly dynamite, and all the younger actors
 by the extent to which SDC kids,  on  stage  were  simply  adorable.  Summer
 however shy and retiring in  definitely had the ‘best’ hairdo, hands down,
 reality, manage to exude the  indeed the army of volunteers manning the
        ‘canned hair’ triggers backstage all deserve
 essence of confidence and theatricality on
        medals, and the costumes too were utterly
 stage and I was blown away yet again this
 year by the utter dedication that Jenny  convincing.
 instinctively and seamlessly commands from  You were all incredible and we were
 her cast (whatever it is, bottle it!). I watched  thoroughly entertained by your thespian
 as my own daughter simply blossomed in  antics, so thank you, I can’t wait to find out
 confidence and excitement throughout the  what Jenny Hendy will be pulling out of the hat
 rehearsals and how she lived and breathed  next year.
 the musical at home for so many weeks
 (much to her brother’s despair).


























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