Page 21 - The Digital Cloth - issue 8

“little and often” was the way forward.
Instagram has been a supportive
network where I have been able to
communicate with likeminded artists. I
would also wholeheartedly recommend
becoming a member of a textile group
as we have been able to share ideas and

exhibit together. I am a member of
York Textile Artists and The Society
for Embroidered Work (SEW) which
promotes and supports the best in
stitched art worldwide.

Inspiration for my work mainly comes
from the places I visit. I am a little
obsessed with taking photographs and I
will occasionally use a sketchbook, but
this is mainly for notetaking. I have two

pinboards in my studio where I can pin
up experimental samples and my notes.
My photographs give me a
starting point from which my work
evolves. I often work on several
pieces at a time, as I enjoy an
expressive and experimental way of
working, and while I use a variety of
materials and processes in each project,

my approach is consistent. I am
particularly inspired by rustic textures,
the ageing process and anything
corroded and tarnished; colour and
texture are the key elements in my
work.
When I embark on a new piece I begin
with a basic idea, this might be a set of
photographs or a quick sketch. I then
gather all my materials and start
making with spontaneity, letting the

process evolve. I aim to use a lot of
recycled materials in my work as I like
the history contained in reused fabrics.
As the piece develops, if it is not
working, I will leave it for a few days
and revisit it with fresh eyes. I will
often cut up or unpick parts but never
start again. I believe some of my best
pieces are the ones I have had a battle