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Yulianto notes that the female Beats implemented the
Buddhist notions of spontaneity, interconnectedness, and
emptiness consistently throughout their work.
Whether it is communicated through juxtapositions and
improvised jazz music such as in Diane’s series “Death
Sunyata Chant: A Rite for Passing Over”, or through a
direct address in the writing and ritualistic chants of Anne
Waldman’s “Makeup on Empty Space”, the concepts of
spontaneity, interconnectedness, emptiness are key to the
poetry of these women.
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