Page 156 - Fingerprints of the Gods by Graham Hancock
P. 156

Graham Hancock – FINGERPRINTS OF THE GODS



                   Indeed, it would not have looked out of place in the Valley of the Kings.
                   But there was one major difference. The scene carved on top of the
                   sarcophagus lid was unlike anything that ever came out of Egypt. Lit in
                   my torch beam, it showed a clean-shaven man dressed in what looked
                   like a tight-fitting body-suit, the  sleeves and leggings of which were
                   gathered into elaborate cuffs at the wrists and ankles. The man lay semi-
                   reclined in a bucket seat which supported his lower back and thighs, the
                   nape of his neck resting comfortably against some kind of headrest, and
                   he was peering forward intently. His hands seemed to be in motion, as
                   though they were operating levers and controls, and his feet were bare,
                   tucked up loosely in front of him.
                     Was this supposed to be Pacal, the Maya king?
                     If so, why was he shown operating  some kind of machine? The Maya
                   weren’t supposed to have had machines. They weren’t even supposed to
                   have discovered the wheel. Yet with its side panels, rivets, tubes and
                   other gadgets, the structure Pacal reclined in resembled a technological
                   device much more strongly than it did ‘the transition of one man’s living
                   soul to the realms of the dead’,  as one authority claimed, or the king
                                                          6
                   ‘falling back into the fleshless jaws of the earth monster’,  as another
                                                                                           7
                   argued.
                     I remembered ‘Man in Snake’, the Olmec relief described in Chapter
                   Seventeen. It, too, had looked like a naïve depiction of a piece of
                   technology. Furthermore, ‘Man in Snake’ had come from La Venta, where
                   it had been associated with several bearded figures, apparently
                   Caucasians. Pacal’s tomb was at least a thousand years younger than any
                   of the La Venta treasures. Nevertheless, a tiny jade statuette was found
                   lying close to the skeleton inside the sarcophagus, and it appeared to be
                   much older than the other grave-goods also placed there. It depicted an
                   elderly Caucasian, dressed in long robes, with a goatee beard.
                                                                                           8


                   Pyramid of the Magician


                   Uxmal, Yucatan
                   On a stormy afternoon, 700 kilometres north of Palenque, I began to
                   climb the steps of yet another pyramid. It was a steep building, oval
                   rather than square in plan, 240 feet long at the base and 120 feet wide. It
                   was, moreover, very high, rising 120 feet above the surrounding plain.
                     Since time out of mind this edifice, which did look like the castle of a
                   necromancer, had been known as the ‘Pyramid of the Magician’ and also
                   as the ‘House of the Dwarf’. These names were derived from a Maya
                   legend which asserted that a dwarf with supernatural powers had raised


                     The Atlas of Mysterious Places, p. 70.
                   6
                   7  Time Among the Maya, p. 298.
                   8  Fair Gods and Stone Faces, pp. 95-6.


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