Page 256 - Fingerprints of the Gods by Graham Hancock
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Graham Hancock – FINGERPRINTS OF THE GODS



                   years to the mythical kings who ruled the land of Sumer before the flood?
                   And is it likewise a coincidence  that this same Berossus ascribed
                   2,160,000 years to the period ‘between creation and universal
                   catastrophe’?
                                  12
                     Do the myths of ancient Amerindian peoples like the Maya also contain
                   or enable us to compute numbers such as 72, 2160, 4320, etc. We shall
                   probably never know, thanks to the conquistadores and zealous friars
                   who destroyed the traditional heritage of Central America and left us so
                   little to work with. What we can say, however, is that the relevant
                   numbers do turn up, in relative profusion, in the  Mayan Long Count
                   calendar. Details of that calendar were given in Chapter Twenty-one. The
                   numerals necessary for calculating precession are found there in these
                   formulae: 1 Katun = 7200 days; 1 Tun = 360 days; 2 Tuns = 720 days; 5
                   Baktuns =  720,000 days; 5  Katuns =  36,000 days; 6  Katuns =  43,200
                   days; 6 Tuns = 2160 days; 15 Katuns = 2,160,000 days.
                                                                                    13
                     Nor does it seem that Sellers’s ‘code’ is confined to mythology. In the
                   jungles of Kampuchea the temple complex of Angkor looks as though it
                   could have been purpose-built as a precessional metaphor. It has, for
                   example, five gates to each of which leads a road bridging the crocodile-
                   infested moat that surrounds the whole site. Each of these roads is
                   bordered by a row of gigantic stone figures, 108 per avenue, 54 on each
                   side (540 statues in all) and each  row carries a huge Naga serpent.
                   Furthermore, as Santillana and von Dechend point out in  Hamlet’s Mill,
                   the figures do not ‘carry’ the serpent but are shown to ‘pull’ it, which
                   indicates that these 540 statues are ‘churning the Milky Ocean’. The
                   whole of Angkor ‘thus turns out to be a colossal model set up with true
                   Hindu fantasy and incongruousness’ to express the idea of precession.
                                                                                                      14



























                     Ibid., p. 196.
                   12
                   13  Skywatchers of Ancient Mexico, p. 143.
                   14  Hamlet’s Mill, pp. 162-3; see also Atlas of Mysterious Places, pp. 168-70.


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