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The Cultural
                                                                                                             Heritage





                                                                                    Emergence:  this  adornment  origin
                                                                                  is  connected  with  the  existence  of  the
                                                                                  removable  collar  richly  sewn  with  glass
                                                                                  beads  and  the  tradition  to  wear  long
                                                                                  beaded  ear-rings  among  the  Khanty  and
                                                                                  Mansi.  “Ear-rings  being  present  among
                                                                                  the  Khanty  in  XIX  century  were  self-
                                                                                  made  adornments  in  the  form  of  metal
                                                                                  hooks hung for an ear lobe with a row of
                                                                                  beaded  threads  ending  with  metal  coins.
                                                                                  Moreover,  these  pendants  descended  on
                                                                                  the  shoulders.  The  ear-rings  were  joined
                                                                                  with a chain or glass beads thread crossing
                                                                                  the chest under the chin” [12. P. 207-208].
                                                                                  The reminder of this type is met in making
                                                                                  adornments for the traditional fabric dolls
                                                                                  akan’.
                                                                                    Place  in  the  collection:  the  first
                                                                                  adornment came in museum funds in 1979.
                                                                                  This sort of pectoral is the most numerous
                                                                                  one here.

                                                                                      3. THE TRANSFORMATION OF
                                                                                   THE PECTORAL IN THE FORM OF
                                                                                               STRIPES
                                                                                    Shape: as in the previous case, the basis
                                                                                  of  this  type  is  two  laced  vertical  stripes
                                                                                  combined  in  the  centre  or  in  the  lower
                                                                                  edge  with  a  broad  horizontal  ribbon.
                                                                                  An  additional  rectangular  beaded  stripe
                                                                                  descends  from  the  central  part  of  the
                                                                                  horizontal  ribbon.  The  bottom  edge  of
                                                                                  this ribbon is lower than two side stripes
                                                                                  or equal to them. The lower edges of the
                                                                                  stripes  are  decorated  with  beaded  fringe
                                                                                  (strings) with metal beads/buttons/small
                                                                                  bells or beaded rings. The upper edges of
                                                                                  the  laced  stripes  are  joint  with  the  help
                                                                                  of 2–3 beaded chains combined with the
                                                                                  one or sewn to cloth belt going around the
         YANM-14328. The rectangular vest. Master-Belyavskaya E. A. The author of the photo: M. Spiryakov. 2017.
                                                                                  neck back surface.
                                                                                    Size: 37/41 х 16/22 sm.
                                                                                    Technique:  stringing.  The  combination
          (cloth, thick woollen cloth), descending on   beads, tendinous threads, fishing line, beads,   of  contemporary  and  traditional  materials
          the chest and fixed behind, on the neck with   and metal pendants.      are  applied:  glass  beads,  bugles,  tendinous
          tendinous and nettle threads. Short strings   Colour  and  ornament:  the  complex   threads, fishing line, cotton threads, beads,
          of glass beads/rings or stamped pendants /  colour gamma is used (up to 5–6 colours)   and metal pendants/chains.
          small  bells/beads/buttons  are  fixed  to  the   and   traditional   geometric   ornaments   Colour  and  ornament:  three-coloured
          stripes ends. The stripes were joined in front   with  plant  and  animal  motives  applying   gamma  (rarely  more  than  3  colours)  and
          with  the  help  of  1-2  narrow  ribbons  from   the  rhythmic  repetition  of  one  or  several   traditional  geometric  ornaments  with
          glass  beads  where  earlier  a  cross  had  been   elements  (motives):  “diamond”,  “zigzag”,   animal  motives  (“fox  elbow”,  “hare  ears”,
          adjusted to on beaded strings.      “fox elbow”, “hare ears”, “antlers”, and “bear   “antlers”, and “bear footprint”) are used.
            Size: 41/50 х 18/20 sm.           footprint”.                           The main ethnicity: the Northern Khanty
            Technique: stringing or bead embroidery.   The main ethnicity: the Northern Khanty of  of Lower Priobye.
          Adornments  are  made  with  the  usage  of   Lower Priobye. The Khanty call this adornment   Place  in  the  collection:  the  first
          modern  and  traditional  materials:  glass   pal’sak [17. P. 195] or saklopas’ [22. P. 35].  adornment  came  in  museum  funds  in


 36  Arctic Art & Culture • №1 (3) • 2018                                                      Arctic Art & Culture • №1 (3) • 2018  37
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