Page 681 - Liverpool Philharmonic 22-23 Season Coverage Book

Sound Art: Non concert format works which use sound as both their medium and their subject,
including installations, sculptural, electroacoustic and audience interactive pieces.

• Beacons by Emily Peasgood
• Down Gone by Una Lee
• Earthquake Mass Re-Imagined by Kathy Hinde
• The Mute Still Air by Ed Carter
• The Sound Voice Project: Paul, I Left My Voice Behind And Tanja by Hannah Conway

Stage Works: Works composed for the stage, including opera, dance and musical theatre.

• Dante composed by Thomas Adès
• Opsnizing Dad composed by John Wallace
• Syllable composed by Edward Jessen
• The Shackled King composed by John Casken
• Witch composed by Freya Waley-Cohen

Freya Waley-Cohen is nominated in the Stage Work category for her song cycle,
Witch ©Patrick Allan

This year’s nominated works have been premiered to UK audiences in commercial recordings, live
streams, concert performances and a range of other media between 1 April 2021 and 31 March
2022. Commissioners of nominated works include orchestras such as Royal Liverpool
Philharmonic Orchestra, City of Birmingham Symphony Orchestra, and London Sinfonietta,
as well as individuals such as soprano Juliet Fraser and festivals such as BBC Proms and Oxford
Lieder Festival.

Three gifts of the Academy will also be awarded on the night; the Ivor Novello Award for
Outstanding Works Collection (presented in association with the Music Publishers Association),