Page 372 - Brion Toss - The Complete Rigger’s Apprentice
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Figure 11-4. Instant Figure-Eight. Hold the end between the thumb and forefinger of your right hand and
             grasp the standing part with your left hand so that a long bight hangs between the hands. Drape the rest of the
             standing part over your left arm or shoulder to keep it out of the way. Move your right hand sharply to the left,
             causing the bight to twist around into a loop (A). The loop will be held in place by momentum for an instant;
             throw the end through it with your right hand (B), and a Figure-Eight Knot will appear (C).




             on King of Knots plays tricks with us, too! Or seen   You demonstrate this laying the ring on the
             another way, the speed and freshness of magic can  string, in the gap between thumb and forefinger,
             breathe life and a range of usefulness into the sim-  and slowly pushing the ring down (Figure 11-5A).
             plest forms of knotting. Ahh, practical magic.  Sure enough, the middle goes down and the ends
                                                         come up. Repeat this self-evident procedure a cou-
                       THREADING A RING                  ple more times, slowly, with lots of inane, self-evi-
                                                         dent commentary; you are accustoming your audi-
             But then, lest your audience begin to feel that rope  ence to reality.
             tricks are Logical and Useful, tell them (a) that   “So it looks,” you say as you begin to press the
             it is absolutely, positively impossible to thread a  ring down once more, “as though sometimes the
             solid ring onto a string without passing either end  impossible really is impossible, and you’ll never get
             through the ring.                           a ring threaded onto the middle of a string. Like
                “Impossible? Of course it’s impossible,” you  this.” And with that you take your hand away, and
             tell your audience, as you drape your string over  the ring is threaded on to the string (Figure 11-5B).
             your hand.                                      As you spoke, it turns out, you let the string slip
                “The trouble,” you continue, picking up a wide,  off your thumb, which was hidden by the rest of your
             thin ring or bracelet, “is that when you try to put the  hand, which was up near eye level and tilted slightly
             ring on in the middle, the middle is at the top and  toward you (Figure 11-5C). Practice in the mirror
             the ends are at the bottom. And if I push the middle  to get just the right non-suspicion-inducing minimal
             down to the bottom, the ends just go to the top.”  attitude and amount of tilt. As you passed the ring

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