Page 374 - Brion Toss - The Complete Rigger’s Apprentice
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panic. You move your arms first one way, then the  pick up another piece of string, and prepare to tie an
             other, painfully indecisive. “The ring will come out  Overhand Knot without letting go of an end, some-
             on my, uh, left, which is your right, right?” And you  thing which is also impossible, so you’re going to do
             finally bring the string back out and, sure enough,  it three different ways. One of these is ingenious, the
             the ring is on your left now because, of course, you  second cheating, and the third is by-God-actual-in-
             switched it while it was hidden, either by turning it  explicable Magic.
             over or by simply changing hands.
                Before anyone can comment on this obvious,          OVERHAND KNOT
             obvious move, you say, “I know, it’s amazing, but   WITHOUT LETTING GO
             there’s more.” You put it behind your back again
             and say, “Now I’ll make it return to your right. No,  First, demonstrate that one must indeed let go the
             I mean to my, I’ll make, uh. . . .” And while panic  end in order to reach around to pass it through
             returns, you appear to be moving your arms inde-  the loop; not letting go means, by definition, that
             cisively again and the audience is thinking, “This is  no knot will result. But have someone else hold the
             funny—is he really that dyslexic?” But while they’re  ends, fold your arms, pick up the ends, then unfold
             laughing, you are quickly and smoothly tying a  your arms, and an Overhand Knot appears in the
             fourth overhand knot, a hand’s-breadth past the  middle of the line (Figure 11-6).
             third one. It takes only a little practice to be able   That was the ingenious solution. Now explain
             to do this in the right place without fumbling. The  you’re going to use the second method, the one in
             string should need to be out of sight for only four or  which you cheat. Be very clear on this point, then
             five seconds.                               immediately explain that you are bound by sacred
                When you bring the string out again, having  oath as a member of the FSA (Future Saints of
             once more end-for-ended it, the ring has indeed  America) to never, ever, cheat, so to preclude any
             jumped back to the original side. Your short-end  possibility of deception you are going to move very
             hand covers the new knot—thumb and index finger  slowly, holding the ends in plain view in your fin-
             are all you need. You appear to be very pleased with
             yourself, and more than a little relieved.
                At this point, particularly if your audience con-  Figure 11-6. An Overhand Knot Without Letting
             tains small children or other snide know-it-alls,   Go, First Method. Cross your arms, grasp an end in
             someone will proclaim that it’s rilly, y’know, a stupid   each hand, and uncross your arms. Presto! An Over-
             trick, that you just turned the string around when it   hand Knot.
             was hidden.
                You are shocked. You are insulted. You are
             dumbfounded. “How could you think I would
             do anything so simplistic, so obvious, so easy, so
             unmagical? You think I just turned it around? Okay
             then, this time I’ll make the ring jump to the mid-
             dle knot.” And with that you whip the string behind
             your back, grab it by the first-tied knot, and whip it
             right back out, with no pause at all. This time when
             you hold it up, the new knot is exposed, and the ring
             is hanging in the middle.
                You have just gone from buffoon to miracle
             worker. Before your audience can recover, give a
             wicked smile, stuff string and ring into a pocket,

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