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him,  Dieses  Glacéhandschuh  Idyll  muss  endlich   in the book,  e Political Cartoons of Derso and   Figure 3. Derso
                   einmal au ören!  -- ‘This kid glove idyll must   Kelen: Years of Hope and Despair, by Stefan Slater   and Kelen,
                   cease once and for all!’.  Only a small number   and David Macfadyen that British art publisher,   l’Assaut de la
                   attended  Lux’s  funeral  because,  said  Kelen,   Lund Humphries, produced in 2023. The image   Tribune, 1936,
                   ‘few were left who thought it remarkable or sad   is reproduced above.        reproduced from a
                   that  a  man  should  stand  in  the  temple  of  the                         photograph of the
                   last best hope for peace and take his life’. These   The mural features 50 political personalities who   original artwork,
                   incidents remained firmly fixed in Kelen’s mind.   played a part in the events of this consequential   © Mme Stampfli.2
                   In his memoir, he recounted them alongside his   year  and  nine  journalists,  all  named  in  the
                   account of l’Assaut de la Tribune. This suggests   work. As in Daumier’s lithograph, the scene is
                   they may have inspired the mural, as does their   centred on politicians ascending left and right
                   occurrence around the time he and Derso began   staircases  to  reach  the  rostrum,  while  others
                   to work on it.                         use ladders to climb the wall, as in l’Escalade. In
                                                          interpreting Derso and Kelen’s satirical cartoons,
                   In the memoir, Kelen records that, as a young   it’s  important  to  look  at  the  margins.  In  the
                   cartoonist, he attempted to provide graphic detail   lower left corner, Mussolini stands dressed for
                   ‘as much in the manner of Daumier as possible’.   battle, next to Hitler and Stalin, who ignore the
                   Honoré  Daumier  published  a  lithograph  in   politicians seeking to broadcast their views to the
                   1849  depicting  characters  of  the  Assembly  of   world. Hitler has gambled and thrown the dice,
                   the newly-established Second French Republic.   but  Stalin  faces  him  defiantly.  Towering  over
                   He named it l’Assaut de la Tribune (Figure 2 left   them is French socialist, Léon Jouhaux. Glaring
                   page).                                 at the Duce, is Neville Chamberlain, then British
                                                          Finance Minister; and, in armour at his side, his
                   The  similarity  to  the  Derso  and  Kelen  mural   Foreign Office colleague, Viscount Cranborne.
                   will be obvious; eager politicians on the left and
                   right, struggle to reach the rostrum. There is also   Derso and Kelen were accredited journalists and
                   a commonality between European politics of the   there’s a hint of bias in their depiction, top left,
                   two  eras.  The  political  movement  of  1848/49,   of the international press as the cavalry riding
                   which  Daumier’s  cartoon  illustrates,  was  a   to  defend  freedom  of  speech.  Mounted  on
                   struggle for democracy in Europe.      horseback are Clarence Streit of the New  York
                                                          Times; Robert Dell of the Manchester Guardian;
                   Just before Christmas 2021, Jean-Claude Pallas   Sisley Huddleston who wrote for  e Times and
                   carried the large photo of the mural under his   the  Christian  Science  Monitor;  the  prominent
                   arm to the Mairie at Aigre (Charente) where he   Bolshevik  publicist  Karl  Radek;  the  famous
                   was able to produce a high-resolution digitised   Jules Sauerwein of Le Matin; Élie Joseph Bois of
                   copy, with the kind permission of the mayor of   Le  Petit  Parisien;  ‘Pertinax’,  pseudonym  of  the
                   the commune. This is the photograph, prepared   prominent  French  journalist, André  Géraud;
                   for  publishing  by  the  photographer  Jeffrey   Geneviève Tabouis, the first woman to achieve
                   Lawrence, that appears as a high-quality image   international  distinction  as  a  journalist;  and


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