Page 114 - ION Indie Magazine JulyAugust 2022
P. 114

TB:  Over  the  last  few  years  you  have  released
                                      several singles ‘The Boy Who Cried,’ ‘Cigarettes &
                                      Gasoline,’ and ‘Crash Landing.’ Are there any plans
                                      to release an album?

                                      AE: Yes! ‘Cigarettes & Gasoline’ is the prologue to the
                                      album,  ‘La  Petite  Mort.’  ‘Crash  Landing’  was  single
                                      number  one  and  ‘London’  now  brings  us  to  single
                                      number two! ‘La Petite Mort’ is a 13-track visual album,
                                      and it will be unfolding over the course of the next year.

                                      TB: What is your writing process? Do you write by
                                      yourself or collaborate with others?

                                      AE: I do both, but I am a collaborator at heart. I love
                                      creating alongside others because I believe when you
                                      combine a few different energies and a few people who
                                      have  complementary  strengths  and  weaknesses,  you
                                      can achieve the most impactful outcome. I always like to
                                      build a track or musical vibe first. (the writing track vibe
                                      is never how I produce the song in the end, but it serves
                                      as  inspiration  and  feeling).  Next,  I  write  all  of  the
                                      melodies. Finally, I picture the visual that the melodies
                                      and music make me see and then we describe it through
                                      lyrics. Writing is a very multi-sensory experience for me.
                                      When  I  write  alone,  it’s  a  very  different  experience.
                                      Usually, it’s me sitting at my upright piano and probably
                                      20 percent more frustrated.

                                      TB:  What  is  your  philosophy  on  releasing  singles
                                      compared to albums as it seems to be a path more
                                      and more musicians are taking?

                                      I  think  both  have  their  place  depending  on  the
                                      experience  that  you  are  trying  to  create  for  your
                                      audience and how you want them to digest your content
                                      and also where you are in your career. I am doing both.
                                      When I created this visual album, I intended for it to be
                                      listened  to  top  to  bottom  as  a  story.  With  the  short
                                      attention  spans  that  we  seem  to  be  dealing  with,
                                      releasing the tracks as singles allows me to give each
                                      song its moment in the sun and give it the best chance
                                      of being heard. Every track I put on the album is special
                                      and on there for a reason and it would make me sad if
                                      some of them never got attention. Ultimately, the single
                                      tracks make up a greater collection and concept album
                                      in my case.
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