Page 13 - BiTS_05_MAY_2023
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Most small towns had developed closer to the newer highways near their towns. Rich Hill did as
    well. We still had a small downtown with the big old shops, and buildings from the 1930s. I
    remember we even had an old-style drug store with trinkets and candy.

    I often look back and write songs about these memories I have from that time in my life.

     LL: You come from a musical family. Would you please tell us all about that?

     NS: I started playing keyboards and singing songs with my mother on a Wurlitzer keyboard. I
    really enjoyed that keyboard, the sounds it made and how it played.
    My father was a guitarist, and he would play shows on the weekends and leave his guitars out
    in the living room, and I would carefully pick them up and play them a little bit. My father was
    right-handed; I’m definitely left-handed so I would play his guitars upside down and backwards.
    He would tell me I would have an easier time learning to play right-handed. It just did not work
    that way for me, so I continued playing upside down with the strings going the opposite way
    until I was 14.

    The summer before my 14th birthday I auditioned for Paseo Academy of Performing Arts, a
    magnet school in Kansas City. They accepted me on the condition that I learned to play guitar
    with the strings strung correctly so I could play classical guitar and have my thumb to play the
    bass strings. I spent the entire summer that year repositioning the way I played to make this
    opportunity happen.

    It took me about six months to play with the strings strung in standard. I have played the last 30
                                                        years with the guitar strung correctly.

                                                        I do still play upside down as well.



                                                        LL:  What  about  your  musical  educational
                                                        background?

                                                        NS: Paseo Academy of Fine and Performing Arts was
                                                        my main education in music. I had started there my
                                                        sophomore year of high school and graduated.  The
                                                        reason why I wanted to go to the school was because
                                                        we had four hours of music per day, and four hours
                                                        of core curriculum.  I was mainly playing classical
                                                        guitar  for  my  guitar  orchestra,  studying  music
                                                        theory  and  ear  training.  Alongside  this,  I  was
                                                        working  with  the  jazz  orchestra  a  bit  as  well,
                                                        learning basic jazz theory and performance.

                                                        Another  note,  this  school  was  for  all  forms  of
    performing arts, visual, poetry, acting, dancing, theater, tech, ceramics, drawing, painting.

    Developing friendships with different artists from different media of art really broadened my
    perspective of my art as not only just music, but an expression of artistic creativity.

    We were required every semester to take a class outside of our major. That is where I got
    interested in a lot of different art forms. I did work hard for the large amounts of time spent in
    music, and I also enjoyed getting into some other new artistic interests. I had fun with theater
    tech, that class taught me the fundamentals of a large stage which came in very handy down the
    road.

    I enjoyed the poetry classes and I feel that did help me with my songwriting.
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