Page 40 - Red Lands
P. 40

(Guard #2) Mr. Kim, should we go after them?


               Accelerate the scene to two months later with the Goza project in
             full swing. The Goza science building being built up in the hills of the

              old Indian lands once treated never to be used. Re-open the scene
               with Yoshi’s construction crew not being able to demolish a wall of

                                                        stone.


            (Crew  man#1)  (In  Japanese).  Why  haven’t  you  demolished  this  wall?
            This project is behind because of you all. (Crew man #2) (In Japanese).

            I don’t know why, but I know that wall won’t move. You’re the boss, you
            figure  it  out.  (Crew  Chief)  What’s  the  problem  here?  (Crew  man  #1)
            Sir, sir, the wall won’t move. (Crew Chief) Then order some c-4 and get it

            the fuck out of my way. Do you want Mr. Kim to get wind of this or what?
            Get it done.


              The two bows and call in pronto with the c-4, but not even a crack
             was put in the wall. The crew chief called Yoshi to see what could be

                                                         done.


            (Crew Chief) Mr. Kim, I’m sorry to bother you sir, but we need your help
            in  section  3  of  the  new  Goza  building.  (Yoshi)  I’m  not  a  chemist  or

            construction worker. Tell me if I’m wrong, but I thought this was your
            job, so why do you need me? (Crew Chief) Sir, you need to see this for

            yourself. (Yoshi) I’ll be right there to get rid of all you fucks. (He hangs
            up).


             Switch to the CNN reporter talking with his boss about the claims of
             deception on Red Land’s as told to him by the Indians, most of all by

                the gate guard’s son. Re-open the scene with the CNN reporter
                             talking to his boss about doing a covert story.


            (CNN Reporter) Come on, Audrey, you’ve got to let me do this story. I’ve

            got the inside scoop on this. They trust me, why can’t you? (He turns to
            the door). (CNN Editor) Allen, you’re a good reporter, but I’m not going
            to get us into any legal or political debates with the Japanese. It’s that

            simple. You go on Japanese land and you’re not in America anymore, you’re

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