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folklore. It will analyze how authors effectively leverage these components to create
credible and immersive worlds, develop engaging characters, and tackle intricate
themes. Through examining the specific methods by which folklore is adapted and
woven into these narratives, the paper seeks to reveal the timeless influence of these
elements in the evolution of the English fantasy tradition.
Origin and Concept
• Rooted in Folklore and Mythology: The essence of fantasy literature stems
from ancient folklore, myths, and legends passed down across cultures. Think
of tales filled with dragons, fairies, gods, and heroes.
• Medieval Romances: Medieval works like the tales of King Arthur and his
Knights of the Round Table, with their chivalric quests and magical elements,
established a foundation for the rich tradition of fantasy.
• 19th-Century Romanticism and Gothic Literature: This period brought on a
sense of wonder and the exploration of the uncanny and supernatural, further
shaping the themes that define fantasy.
• The Birth of Modern Fantasy: Authors like George MacDonald, Lord Dunsany,
and later J.R.R. Tolkien and C.S. Lewis created iconic fantasy worlds, solidifying
the conventions of the genre. (Karimova G, 2024)
Fantasy literature is literature set in an imaginary universe, often but not always
without any locations, events, or people from the real world. Magic, the supernatural
and magical creatures are common in many of these imaginary worlds. Fantasy
literature may be directed at both children and adults. Illustration from 1920 edition
of George MacDonald's novel The Princess and the Goblin. Fantasy is considered a
genre of speculative fiction and is distinguished from the genres of science fiction
and horror by the absence of scientific or macabre themes, respectively, though
these may overlap. Historically, most works of fantasy were in written form, but since
the 1960s, a growing segment of the genre has taken the form of fantasy films,
fantasy television programs, graphic novels, video games, music and art. Many
fantasy novels originally written for children and adolescents also attract an adult
audience. Examples include Alice's Adventures in Wonderland, the Harry Potter
series, The Chronicles of Narnia, and The Hobbit. A Song of Ice and Fire (George R.R.
Martin): This series is noted for its subversion of traditional fantasy tropes. By focusing
on political maneuvering, stark violence, and blurring the lines between heroes and
villains, it popularized the ‘grimdark’ subgenre. The Earthsea Cycle (Ursula K. Le
Guin): Le Guin’s seminal work presents a unique approach to magic rooted in the
balance of nature and the concept of true names. Her focus on social and
philosophical issues, alongside rich characters and vivid world-building, elevated the
literary quality of the fantasy genre.

METHODS
This study employs a qualitative, text-based analysis of selected English fantasy
literature. The primary data comprises the literary texts themselves, including both
novels and short stories that prominently engage with fantasy elements and folklore.
The selection of these texts is informed by their critical acclaim within the genre, their
representation of different subgenres of English fantasy (such as high fantasy, urban
fantasy, historical fantasy), and their notable utilization of folkloric components. 487

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