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•  Magical Systems: Folklore frequently shapes the magical frameworks within
            fantasy  settings.  Rather  than  relying  on  arbitrary  or  purely  imaginative  magic,
            authors  often  draw  from  traditional  beliefs  regarding  magic,  rituals,  and  the
            connection  between  humans  and  the  supernatural.  This  approach  can  provide  a
            sense  of  consistency  and  plausibility  to  the  magical  system,  making  it  more
            believable  and  engaging  for  readers.  The  magic  depicted  in  Susanna  Clarke's
            Jonathan Strange & Mr Norrell, for instance, is linked to England's history and folklore,
            establishing a sense of ancient power and connection to the land.

                   DISCUSSION
                   The  findings  illustrate  that  the  interaction  between  fantasy  elements  and
            folklore is an essential aspect of English fantasy literature. Employing folklore serves
            not  merely  as  a  decorative  element  but  as  a  vital  component  that  influences
            narrative,  character  construction,  and  thematic  depth.  The  enduring  appeal  of
            folklore lies in its ability to connect with readers on a deep and emotional level. These
            stories have been passed down through generations, shaping cultural values and
            beliefs. By drawing upon these familiar narratives, authors can tap into a powerful
            source  of  shared  cultural  understanding,  creating  a  sense  of  resonance  and
            familiarity, even within the most fantastical of settings. This allows them to explore
            complex themes and issues in a way that is both engaging and thought-provoking.
            Furthermore, the deliberate adaptation and subversion of traditional folklore can be
            a powerful tool for challenging societal norms and exploring alternative perspectives.
            By questioning the assumptions and values embedded in these narratives, authors
            can encourage readers to think critically about the world around them. The re-telling
            of  fairy  tales  from  a  feminist  perspective,  for  example,  can  challenge  traditional
            gender roles and empower female characters. The integration of fantasy elements
            serves  to  amplify  the  impact  of  folklore.  By  creating  original  creatures,  magical
            systems, and alternate realities, authors can push the boundaries of imagination and
            explore new possibilities. The combination of the familiar and the unfamiliar creates
            a sense of wonder and enchantment, drawing readers into the world and allowing
            them to experience it in a more visceral and immersive way. However, it is important
            to  acknowledge  the  potential  challenges  and  pitfalls  of  using  folklore  in  fantasy
            fiction. Authors must be sensitive to the cultural context and significance of these
            narratives,  avoiding  appropriation  or  misrepresentation.  It  is  also  crucial  to  avoid
            simply replicating traditional stories without adding anything new or meaningful.
            The most successful works of fantasy are those that use folklore in a creative and
            transformative way, breathing new life into old tales and exploring their relevance to
            contemporary issues. (Karimova G, 2024)
                              Features of Fantasy Literature
               •  Magic  and  the  Supernatural: Fantasy  worlds  often  incorporate  magic  as  a
                   fundamental element. This could include spells, potions, magical artifacts, or
                   supernatural beings with extraordinary abilities. Example: The wizarding world
                   of Harry Potter, with its wands, charms, and magical creatures.
               •  Mythical  Creatures: Fantastical  beasts  are  a  staple  of  the  genre.  They  range
                   from dragons and unicorns to goblins, trolls, and creatures entirely dreamed
                   up by the author. Example: Smaug the dragon in Tolkien’s The Hobbit                .
               •  Invented  Worlds  (World-Building): Fantasy  often  takes  place  in  detailed,               489
                   imaginary worlds with their own unique histories, geographies, societies, and


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