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Now we are onto our second                 RECO                                STOP [ ]

                   and final overdub; the second              e ¦-------0------¦-------0-----¦------0-------¦--------------¦
                   or high melody.                            b ¦--2-------2--¦--2-------2--¦--2--------2--¦--4---2---0--¦
                                                              g ¦--------------¦--------------¦--------------¦---------------¦
                                                              d ¦--------------¦--------------¦--------------¦---------------¦
                                                              a ¦--------------¦--------------¦--------------¦---------------¦
                                                              e ¦--------------¦--------------¦--------------¦---------------¦



                   Ok, now you have your loop for Shape of You from the first exercise.  Your
                   recording should now have a bass line and two overdubs on top comprising of
                   two guitars playing in harmony, so three in total.    Keep this saved, we'll be
                   using this later.




                   You'll notice that even though you have the same guitar playing each note, and
                   the notes come in at the same time as each other, you can distinctly identify
                   each of the three guitar parts as low, medium and high as shown in the tab
                   below.  This is because we've assigned each part in its own 'register' - they are
                   far apart enough on the note scale to allow each guitar plenty of space to be
                   clearly heard and individually identified.



                   START                                                          END

                   e ¦-------0------¦-------0-----¦------0-------¦--------------¦  HIGH O/DUB

                   b ¦--2-------2--¦--2-------2--¦--2--------2--¦--4---2---0--¦ THREE

                   g ¦------1-------¦-------1-------¦-------1-------¦---------------¦  MID O/DUB

                   d ¦--2-------2--¦--2-------2--¦--2--------2--¦--4---2---1--¦  TWO

                   a ¦--4---4---4--¦-------------¦--0---0---0--¦--2---2---2--¦   LOW TRACK

                   e ¦--------------¦--2---2---2--¦--------------¦--------------¦   ONE




                   We can clearly see that each part has been played on two strings each.  So the
                   bass or 'low' stays on the E and A string, the middle on the D and G string,  and
                   finally the high on the B and E string.  This is a good clear-cut example of each
                   part being assigned its own register.  Some of the other songs in this book are

                   a little  more complex than this, so some parts will be played on more
                   thantwo strings, mainly to make it easier to play.
                   Now we are going to move on to percussion
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