Page 384 - J. C. Turner - History and Science of Knots
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A History of Lace 377

       The designs remained, being preserved in a debased form by the copies made
       on the Barmen and, later, the improved Raschel machines. In Switzerland, the
       Schiffli machine with its pantograph made possible the simultaneous produc-
       tion of several lengths of the same design so speeding the process and cutting
       costs. Modern technology has put a technology spun alginate fabric on the
       domestic market, making it possible for a needlewoman to attempt chemical
       lace on the sewing machine in complete safety, for the solvent for this fabric is
       water.
           Tatting developed chains at this time, giving more scope to the design,
       and strength in use. From a delicate, easily distorted, lace it became a crisp one
       that maintained its shape even after numerous washes; moreover, it required
       so little equipment that it was justifiably popular. Knitted and crocheted
       laces remained general favourites, particularly after the wars, when there was
       a great need for beauty and little money to spend on the begetting thereof:
       again the minimal requirements for tools must have helped.
           In the 60s, there was a revival of interest; lace bobbins could be purchased
       once more from specialist needlework shops, and two books were published,
       one a reprint. The surviving lacemakers were asked to teach their skills, and
       children in schools began to admit an interest in this `old-fashioned activity'.
       In 1976 the Lace Guild was established, one of several international societies,
       for the study of lace, and in the last 16 years much has been done to further
       our knowledge of this craft, its traditions and history. Museums specialising in
       lace have been set up, courses are run all round the world; and, most recently,
       efforts are being made to help enthusiasts with the design of pieces. Almost
       all lace diploma courses now include some design exercises, so ensuring that
       the craft will not stultify. Small developments have occurred in many of the
       techniques, for modern materials necessitate a change in some areas; but no
       single new invention has yet come to add to all the accumulated skills of the
       past.

       Written Sources
              The Pipe Rolls (mostly C13th) for data on pins, prices and
                 non-existence of lace
              Chaucer (ca. C14th)
              The Wardrobe Accounts of the Tudor and Stuart Monarchs
              The Accounts of Hengrave Hall
              The Paston Letters
              Sumptuary Laws and other accounts of Cllth-C17th England
                 and Fiance
              Memoires du duc de Saint-Simon sur le siecle
                 de Louis XIV et la Regence
              Memoire du duc de Luynes sur la cour de Louis XV
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