Page 57 - Arabian Studies (II)
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Yemeni Literature in Hajjah Prisons 1367/1948-137411955       47

       to come to terms with despair and, step by step, to overcome
       difficulties. Lips started to smile again, weariness and fatigue were
       relieved by literary anecdotes, verses were recalled, and tales and
       morals drawn from history started to circulate among the prison
       inmates. These lifted up their souls even if only for brief moments to
       higher spheres. Literary sessions took place and discussion circles
       were convened; jokes, maqamahs, poems and tales were exchanged,
       and thus the otherwise oppressive and miserable time was killed in a
       pleasant manner.
          They also started working out ways and means of improving their
       living conditions and making their hardships more bearable, such as
       by repairing the lavatories and cleaning up their living quarters. They
        planned to seek permission to bring water from the cistern (birkah)
       of Hawrah instead of the birkah of al-Za‘balI. They asked permission
        to have changes of clothes and to write to their families. To achieve
       all this they would plead with the Imam or his deputy in eloquent
       prose and poetry and by letter and telegram, in order that he might
        reconsider their case.
          They used to compose their verses and messages and commit them
        to memory without pen and paper since these things were not
        allowed into the prison. Then they would dictate what they wanted
        to write to one of the guards, or sometimes write it down with his
        pen while he stood by watching. This difficulty, however, was
        eventually overcome by resorting to some amusing tricks to which I
        shall later refer.
          This is one side of the story. On the other we find that the hearts
        of many poets were filled with distress and despair on account of the
        deaths of certain of their friends. They composed elegies which in
       broken voices they used to recite to their companions in mourning
        for the departed and for solace and consolation. One of the most
       outstanding of these elegies is that which Ibrahim al-Ha<JranI wrote
        on the martyr Sayyid ‘Abdullah al-WazIr of which the opening verse
        is:


                   z\ •b/JU                    r      ‘Culli *1*4*1*
              f

        As the martyr MuhyT al-DTn al-‘AnsI was led out to be executed, he
        sang:

                                          a-04

                                          <*j)4        gP ^ 3
                  Ll^>!j
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