Page 5 - DR Sales 2019 Fall Catalogue
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IN PRODUCTION  DRAMA                                                                                  DRAMA
 CRY WOLF  FOLLOW THE




 CRY WOLF is the intense and emotional story of a teenage girl   ALSO  MONEY 1-3
 who has written a vivid school essay detailing her stepfather’s   AVAILABLE
 AS
 SCRIPTED
 violent behavior. The parents deny the accusations, but who is   FORMAT  The first series to ever be selected twice for Berlinale Series
 lying - and who is telling the truth?
          Section in 2015 and 2018. Follow the Money has been aired in
                                                                                                         ALSO
          Denmark with top reviews and ratings.                                                        AVAILABLE
                                                                                                         AS
                                                                                                       SCRIPTED
          Follow the Money takes us into the world of economic crime in the banks, on the stock exchanges, in the   FORMAT
          boardrooms and amongst the street gangs. It is a story of greed: Theirs and Ours.
             About human beings: the rich, the poor, the greedy, the fraudulent, and the thieves who will go to great
          lengths to build the lives of their dreams. Can anyone become a criminal?
             Each season covers different topics and follows different main characters. The focus shifts from white-
          collar crime in the world of high financing (Season 1 + 2) to the grittier and rougher world of street crime
          and drug dealing (Season 3).
             Season 1 had an impressive average share of 52% and Season 2 with an average share of 47%. Both
          seasons aired in 2016. Two years later, Season 3 was selected for Berlinale as it can stand alone as a spin
          off and it had an average share of 35%, the highest since 2017.

          Esben Smed was named Shooting Star at the Berlin Film Festival 2017.































 14-year-old Holly’s family is torn apart by her school essay detailing violence in the home. Dedicated social
 worker Lars is assigned to the case. Convinced by Holly’s story, he places Holly and her seven-year-old
 brother, Theo, in foster care. However, when central family members – including Holly’s stepfather – claim
 that the essay is nothing more than teenage rebellion, Lars’s sense of certainty begins to fray at the edges.
    Holly’s parents launch a full-scale legal attack against Lars and their own daughter. Meanwhile, video
 footage of Lars performing a heavy-handed social services operation is shared on social media, turning
 private misery into public outrage. In a sudden role reversal, Lars quickly finds himself on the receiving end
 of negative publicity. Scrambling to rebuild his case before the final court ruling – with or without the help
 of a remorseful Holly – several central questions remain: Are children always to be trusted? How much
 emotional turmoil can one family take? And who is really telling the truth?
                                                Best Actor
 Berlinale Co-Production Market 2019.  Best Actor  Shooting Star   Berlinale  In a Supporting   Best Danish   Official Selection
                                                                       Berlinale Series
                                     Special
              In a
                       Esben Smed
                                                            TV Series
          Leading Role - TV  Berlin   2015      Role - TV   Robert Awards  2019
            Robert Awards  Film Festival       Robert Awards  2017
              2017        2017                    2017


 DIRECTORS:  PERNILLE FISCHER   HEAD WRITER: MAJA JUL LARSEN   ORIGINAL TITLE: ULVEN KOMMER
 CHRISTENSEN (BECOMING ASTRID, A   (FOLLOW THE MONEY, BORGEN)  (FORMERLY KNOWN AS: EN FAMILIESAG/
 FAMILY, A SOAP), MAY EL-TOUKHY (QUEEN   PRODUCER: CLAUDIA SAGINARIO (YES NO   A FAMILY MATTER)  DIRECTORS: SØREN BALLE (THE KILLING),   PRODUCED BY: DR DRAMA  ORIGINAL TITLE: BEDRAG
 OF HEARTS, RIDE UPON THE STORM,   MAYBE)  FORMAT: 8 X 58 MIN  SØREN KRAGH-JACOBSEN (BORGEN), PER   CAST: THOMAS BO LARSEN (THE HUNT),   FORMAT: 30 X 58 MIN
 THE LEGACY), SAMANOU SAHLSTRØM   PRODUCED BY:  DR DRAMA  RELEASE: Q3 2020  FLY (THE BENCH)   NATALIE MADUEÑO (THE RAIN), ESBEN   RELEASE: 2016-2019
 (FOLLOW THE MONEY, UNTIL WE FALL),   CAST: BJARNE HENRIKSEN (THE KILLING),   HEAD WRITER: JEPPE GJERVIG GRAM   SMED, NIKOLAJ LIE KAAS (THE KILLING +
 NICLAS BENDIXEN (DITTE AND LOUISE)  PETER PLAUBORG (SPLITTING UP   (BORGEN)  DEPARTMENT Q), THOMAS HWAN, MARIA
 TOGETHER), CHRISTINE ALBECK BØRGE   PRODUCERS: ANDERS TOFT ANDERSEN,   RICH (RITA)
 (THE BRIDGE)  CAROLINE SCHLÜTER, JACOB JAREK
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