Page 307 - Chinese SIlver By Adrien Von Ferscht
P. 307

HENG CHANG
            Canton
            circa 1860-1920



             A Heng Chang mark
             alongside  a  Wang
             Hing mark.

             Heng  Chang  had  a
             long  working
             relationship  with
             Wang Hing & Co.















                                                                 An  extremely  rare  maker  to  find,  yet  one  of  the
                                                                 most  accomplished  silversmiths  working  in  the
                                                                 latter  part  of  the  19th  century.  Hong  Chang  silver
                                                                 appears  in  two  formats;  one  solely  with  the  mark
                                                                 that normally translates as Heng Chang zho [Made
                                                                 by  Heng  Chang]  as  the  mark  above,  or  in
                                                                 conjunction with a retail silversmith’s mark.

                                                                 Probably the most unusual and rare item of Heng
                                                                 Chang  silver  must  be  this  circa  1885  Monstrance
                                                                 that  is  believed  to  have  been  used  by  Jesuits  in
                                                                 Macau. This is a highly rare and unusual example
                                                                 of  Chinese  Export  Silver  for  Christian  ceremonial
                                                                 use.    This  is  certainly  the  first  Chinese  silver
                                                                 Monstrance I have seen.

                                                                 The traditional Catholic sunburst has been used to
                                                                 surround the host glass. Various agate stones and
                                                                 jade  are  housed  within  ovoid  lozenges  applied
                                                                 around  the  host  glass.  The  crucifix  tops  the
                                                                 sunburst,  again  in  the  traditional  style  of  the
                                                                 majority of portable monstrances.

                                                                 What is especially interesting in this pieces are the
                                                                 fluted knots around the base and the confluence of
                                                                 knots  under  the  sunburst.  I  can  think  of  no
                                                                 comparable  Chinese  silver  that  has  adopted  this
                                                                 style,  it  is  also  not  especially  European  or
                                                                 Portuguese. It could simply be Heng Chang having
                                                                 suggested the extension of the fluting around the
                                                                 sunburst  to  be  mirrored  in  the  remainder  of  the
                                                                 monstrance.  It  could  also  have  taken  reference
                                                                 from  Ming  Dynasty  guri  lacquerware  with  carved
                                                                 pommel and ruyi scrollwork [see inset in following
                                                                 illustration].
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