Page 188 - Tibetan Thangka Painting Methodsand Mat, Jackson
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Badakhshan,79                  Shigatse,  2, 80, 82,  100,      burnishing:
              Bhutan, 1, 111                    118                              ofazurite, 103
              Bodhgaya, 148                  Shih-haung-ch'ang  (Yunnan          ofgold, 14lf
              Bodhnath, 85                     Province), 81                  canvas (ras gzhiJ preparation,
              Byang-thang, 115               Sikkim, 11                          15-23
              Central Tibet (see also Dbus),  Snar-thang.  see  Narthang.     carpon black, 83-85. see also
                2,  18, 22, 40, 50, 72,      Snye-mo-thang, 75, 78               ink.
                 82, 99f, 105, 108, 112,     Spituk Monastery, Ladakh, 2      chalk, 82
                 114, 117f, 141, 144         Tibet, Central. see Central      chalk line, 45f
              Chamdo,81                        Tibet; Dbus,                   charcoal:
              Chen-chou (Hunan Province),    Tibet, Eastern, see Eastern        crayons, 49
                 80                            Tibet; Amdo; Kham                in chalk line dust,   45
              China,S,    16, 80-83, 85,     Tsang (Gtsang), 1, 22, 75,         in pouncing dust, 72
                 88, 105, 108, 113, 121,        80,82,98                        sketching, 49,71
                 125,131,134,142             Zhwa-1u,82                         sketch reinforcement, 71,
              Darjee1ing, 80                                                     113,139
              Dbus (see also Central Tibet),  Subjects                        Chinese brushes, 105, 108
                 22,  72,  75,  98,   100                                     Chinese motifs,  121,  125,
              Derge, 10, 71, 145             applique thangkas, 4, 11, 88        131,134
              Do1po, 1, 9, 137               armour designs, 166              Chinese pigments, 80f, 83,
              Eastern Tibet, 20, 81, 85,     assemb1y fields (tshogs zhing)     85, 113, see also China in
                 101,105                        27,35,40,43                     Places,
              Gnya1 Lte-'u-ra, 88            astrological diagrams, 25,28,    cinnabar (native vermilion),
              Gtsang, see Tsang                 41, 93                          80f, 88f, 149
              Gyangtse, 80                   auspicious signs, 150, 151       clouds, 160, 161
              India,  1-3,  16,  18,  41,    azurite blue, 75, 78-80            shading of, 116-118
                 79-81, 83, 86, 89, 91,        application of, 98, 103,         special outlining on, 136
                 113, 127, 134, 144f, 148f      118                           colour codes (tshon yig), 93
               Ka1impong, 80                   burnishing, 103                colour theories, 91-93
               Kathmandu, 85                    in pouncing dust, 72          compasses, 46f, 67
               Kham (Khams), 2, 23, 80,         preparation of, 78            composition, 25-43
                 115,145                        sources of,   2, 88, 149        individual creativity in, 42
               Kham Gakhok, 1                 back curtains (rgyab yol),        principles of, 40f
               Kham Lingtshang, 1               gold  de tails  on,  134      consecration (rab gnas) cere-
               Kyirong, 1, 108                  shading of, 119                 monies, 12,25, 139, 142
               Ladakh, 1, 5, 22f, 95, 118     barberry bark dye, 84, 115      cotton support, 15-22
               Lanchow (Kansu Province),      binders,  15, 23,  87,  89.     crafts, traditional, 5-8
                 142                            see also size (hide glue).    day-thangka (nyin thang), 12
               Lhasa,' 1, 17, 23, 75, 79,     bitumen (asphaltum), 85         dbang lag (root adhesive), 23
                 83,85,100,108                black pigments. see carbon      deity glue (lha spyin), 18
               Lhatse, 1, 80                    black; ink.                   didactic paintings,  25, 41
               Lho-brag, 80, 89               black. thangkas (nag thang),    disternper, 15, 23
               Lumbini,l                        75, 88, 103, 135, 142         divinely emanated artists
               Mongolia, 1                    block  prints,  2,  16,  27,      (sprul pa'i lha bzo), 13,42
               Narthang, 71, 79, 85             40,48,71,88                   dyes. see outlining, shading,
               Nepal,  If,S, 11, 16, 18,      bone-ash white, 83                and the names of indivi-
                 49, 81, 85-89, 103, 105,     bone black, 85                    dual dyes
                 109,114,127,147-149          bone ornaments, 130             egg tempera, 23
               Ngamring, 80                   borders, 167-169                egg-white glair, 23
               Phenyu1 Na1endra, 1, 43, 50    brocade designs, gold, 131,     embroidered thangkas, 88
               Pota1a Palace, 4                 134f, 170                     emerald green, 79
               Rinpung (Rin spungs), 82       brocade frame, 12, 26, 47,      erasers, 49, 101
               Sambha1a,33                      99, 142                       eyes, 139f
               Samye,42                       brushes, 105-109                eye-opening ceremonies, 13,
               Shekar Dzong,   1, 18, 23,     burnishers, 103, 14If              139
                 82

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