Page 50 - Multifarious Enamels Chiense Art.pdf
P. 50

ⴺ۫ਕ
                           Hall of
                          Humble
                         Acceptance                                                    ᮞ㚙̻
                                                     សᓣ㟯
                                  ᮥᴅ̻                                                  The
                                                    Chamber                          Pavilion of
                                 Pavilion of        of Joyous                        Shimmering
                                 Streaming          Scenery                           Ripples
                                  Vapour
























                                  fig. 4  'The Lotus in Bright Sunlight' in the Garden of Tranquil Brightness
                                                ॱो  㤔ᒝ७ˮⅲǙ⨰⯭ᓨᵨǚ




         Tranquil Brightness, depicted on the southern slope of  ᑞډՍໝ䢮    䢯ᕇܕ᳦Ǚἔᦾ㉜⑪ǚ䢲཯
         the hill, one on the west bank of the lake, and one on the   ⩮ᯨᆵ₝ⅲǗ᷄൶Ջᓣॱǘ˖യ᢬ᓣᕖで♢
         north bank. On the foreground is the Jade Spring Lake
                                                                  ⅲዟ❡䢮ॱ̣䢯ǐॱˮᆵ⿉ᒶἔᦾ൶൶ঠڙ
         populated by three islets. The layout is made even clearer
                                                                  㤚ⅲᓣ⦱䢲͠ἔᦾ᫶᳦ˮ࿘䢲᫶ˮຎ־˕ා䢲
         when compared to the draft plan produced by the Lei
         family of Imperial builders Lei Family of Imperial builders,  ᫶⾾㤚ᕖˏ⟰ཇ╍⟰䢲՞ྤՇ㈪׍᫶٫㤚䢲
         illustrated in Haidian shidi congshu- Qianlong Yuquanshan   ᕖ۷૥ˏ♴ཇ╍⟰䢲㐝ՉⴷЀᒶ㤔ᒝ७˹⿀
         Jingmingyuan shi, Beijing, 2014 (fig. 3).
                                                                  ⅲ೫ང७ᗆཇ╍ǐ⩮യᵨូབྷ㣈ᆵ❡ⅲἔᦾ
         The scene painted on the current vase corresponds to  ൶ڙ㒴₝ូ ॱ˕ םᕇˏ↹̞ᵁ䢮⮏㙼ᑞǗᩄ
         the three islets in the lake, which were collectively named  ᩻܂ঃ۳ᕊc̖㡲ἔᦾ൶㤔ᒝ७たǘ䢲٫̺䢲
         by Qianlong as The Lotuses in Bright Sunlight (Furong
                                                                       ໝ䢯ǐ
         Qingzhao) (fig. 4). The composition of these three islets
         – a central island flanked by two smaller ones within a
                                                                  ⡊ᕴ⁄˖ᆵ₝䢲ᅠᒶἔᦾ᫶ˮ˕ාⅲᓣㅿ䢲ڭ
         lake – are designed to evoke the ‘Immortal Islands’ in
         Chinese mythology (fig. 5). The main island has a two-   ̖㡲ᢌ೛㤔ᒝ७ډՍᓣˮⅲǙ⨰⯭ᓨᵨǚ  ॱ
         story building in the centre, named the Chamber of Joyous  ो  ǐ㐝˕༃റාቍǙˏᥩ˕൶ǚⅲҷ⚗͗੺
         Scenery (Lejingge), behind two gateway houses, and with   ᙂབྷУཇ䢲ˮ૵૯ා˖ཇ㐤ˏ༃Չ൬ឭ᢫ᣩ䢲
         a small building to the right, named The Red Spring House
                                                                  ܕۻǙសᓣ㟯ǚ䢲ឭעᕖՉ༃ḟও䢲ឭᑢᕖˏ
         (Hongquanguan). The western island has a meditation room
         named The Hall of Humble Acceptance (Xushoutang) and     ༃ᆺབྷᣩ䢲ྼ㧍᳦Ǚ☽ᦾ㩉ǚ䣁⾾ා᢫ᣩ᳦ˏ
         a pavilion called Pavilion of Streaming Vapour (Shuyanting).  ⏕ೣǙⴺ۫ਕǚ䢲ᑢᕖǙᮥᴅ̻ǚ䢲ᖥා˖ཇ


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