Page 197 - Chinese Porcelain Vol I, Galland
P. 197

PAINTED IN COLOURS UNDER THE GLAZE.                 147

                in                 of  good blue, which  is said to
       difficulty  getting supplies
       have failed           in the
                   altogether      Ching-hwa period (1465-1488).
       During  the  Ching-tih period (1506-1522),  the Chinese seem, for
       the first time, to have        cobalt from         ; but
                             procured            foreigners
               at all the  surrounding conditions, it would seem
       looking                                           highly
       improbable  that  they  were able to obtain either free or constant
       supplies  of  European  cobalt much before the  Kang-he period
       (1(361-1722).  It  appears  certain that all  along  the Chinese con-
       tinued to use native  pigments, probably  on the score of cost,
       while the shades we now find on blue and white
                                                  vary according
       to the       of the cobalt                  in the decora-
             quality            originally employed
       tion thereof.
          It  may  be well here to mention that some few of the  pieces
       seem to be made of softer material than the usual run of
       Chinese          but these all      to the
               porcelain,           belong       present dynasty,
                       not before the
       in fact, apparently          Keen-lung period (1736-1795).
       As in the other classes, this ware varies in  quality.  Some of it
       is     fine indeed, and  highly prized by  those collectors who
         very
       understand  it, and  being very  limited in  quality,  is  likely  to
       increase in value as  it  gets  better known.  In the United
       States of America it is much  appreciated,  and whole collections
       exist of it.  This soft  paste  is  lighter  in  weight  than the hard,
       and is to be found in the rose and other classes, as well as in this.
          In blue and white  every style  of decoration  is to be found,
       while the  subjects vary  from deities and  emperors,  with their
       surroundings,  to a  simple twig,  it  may  be of  primus  or some
       other                   To understand all the motives we
             symbolical plant.
       should need to have the whole  history, mythology,  and classics
       of China at our  finger-ends.
          No. 221. A blue and white  jar  in the South  Kensington
       Museum.   Coarse ware.  No mark.  There is  nothing  to  prove
       the    of this     but in decoration it     with what we
          age       piece,                   agrees
       have reason to believe was current in the later
                                                   Ming period.
                                      "
       In the  catalogue  it is described as a  Jar, Chinese  ; blue Nankin
                                  with       and flowers.
       porcelain  ; globular, pencilled  figures        Height,
       11 inches  ; diameter, 15J inches."
          The         seems to be two scholars in a         one
               subject                              garden,
       seated at a table with an attendant at his side, who carries a
       knotted staff, from which are  suspended  a  gourd  and a scroll.
       On the rim there is a narrow  arabesque band, with another on
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