Page 297 - Copper and Bronze in Art: Corrosion, Colorants, Getty Museum Conservation, By David Scott
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all  the essential  ingredients for its formation are found in the recipe: the copper  ions from  the
          mortar and pestle,  the sodium from  the soda, and the carbonate from  the soda.
              Urine, which is called for in Pliny's recipe, is often mentioned in connection with  several
          pigment recipes and may play a complex role in the formation of a range of products. The prin­
          cipal components  of urine (in  mg/ioo ml)  are I820 mg of urea,  H 2 NCONH 2 ;  53 mg of uric acid;
          a nitrogen heterocyclic compound  of  empirical formula N4C5O3H4 with three carbonyl groups
          and four nitrogen atoms linked to hydrogen atoms;  196  mg of creatinine, a single-ring nitrogen
          heterocycle with  empirical formula  N 3 C 4 H 7 0 ;  and small amounts  of sodium, potassium,  cal­
          cium, magnesium,  chloride, bicarbonate,  sulfate,  and phosphate ions  (Shier, Butler, and Lewis
          1996). This complex mixture is capable of dissolving verdigris and  corroding copper  to some
          extent. It is much more  active  as  an ingredient than water  alone, which  results in a very com­
          plex mixture of organic and inorganic  salts.
                                 I  TESTING  FOR  IMPURITIES  Even  in  Roman  times,  verdi­
          gris  was  not  cheap  to  produce,  and  the  pigment  was  sometimes  adulterated  with  powdered
          marble,  pumice,  gum,  and  even  shoemaker's black. To  test  for powdered  mineral  additives,
          Dioscorides recommended  the following procedure  based on knowledge of the relative solubil­
          ity  of  verdigris:

              [F ]or some do mix  it with ye pumice stone, some with marble, but others with  Calcanthum.
              But  we shall find out the Pumice stone, and ye marble, by wetting the thumb of  ye left hand,
              and by rubbing some part of ye rust with  the  other. For it happens that ye rust of it runs
              abroad,  but ye parts of ye  Pumice  stone and  ye marble  remain undissolved  and  at  last it
              grows white with ye long rubbing and with ye mixture of  ye moisture. And not only so, but
              by  the crushing of  ye teeth, for the unmixed falls down smooth and not rough. 13

              The  problem of detecting  adulteration with  shoemaker's black was  nicely dispatched  by
          a test described by Pliny that was based on knowing that the Roman shoeblack  contained  iron
          sulfates:  "It  is also detected  by means of  papyrus previously steeped in an infusion of  plantgall,
          as  this when  smeared with  genuine  verdigris at  once turns  black."  This is perhaps the  first
                                                                 14
          recorded  chemical spot-test, and it is quite accurate because the gallnut extract forms a strong
          black colorant with iron salts;  this mixture was long used as an iron gall ink.
              Less accurate is the  statement by Pliny that the presence of verdigris can  also be  detected
          by  heating  the  substance in  question  on  a  hot  fire-shovel  to  see  if the  compound  remains
          unchanged.  The  idea  that  verdigris will  remain  unchanged  also  exists  in  an  earlier  text  by
          Dioscorides. Tests show, however, that after heating verdigris on an iron shovel, the copper  salt
          first  turns  red and possibly black under  strong heat,  first forming cuprite and gradually  trans­
          forming  to tenorite. What might have been meant,  and was perhaps misconstrued  from  some
          lost original source,  is that the presence of verdigris as a copper compound could be determined
          by  heating to see f the characteristic  red of cuprite and the black of tenorite would  form.
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