Page 300 - Copper and Bronze in Art: Corrosion, Colorants, Getty Museum Conservation, By David Scott
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ticularly related to the Mappae clavicula  tradition, it does contain the following  closely related
           recipe for a blue pigment:

               [39]  To make a beautiful blue at little  cost. Take quicklime and green  and ground verdigris
               and sal ammoniac,  as much of one  as of the other. Grind these all together with urine and
               you  will  see  a beautiful blue. Temper it with  the previously described  glair  [egg white],
               when you want to work with it. (Wallert 1995:43)

                                                                      i
           The "green" referred to here is an organic sap green. As seen with  recipe ii of the Mappae cla­
           vicula,  reactions with lime, or in this case with quicklime (calcium oxide), are likely to produce
           complex  or unusual  salts,  such  as  calcium copper  acetate hexahydrate.  Here  the  addition of
           sal ammoniac (ammonium chloride) suggests that mixtures of the calcium copper  acetates and
           copper trihydroxychlorides are quite possible, since adding ammonium chloride tends to result
           in  the  replacement  of the  acetate groups with  basic chlorides. Combining copper  (verdigris),
           organic plant substances ( green), and urine components  adds to the probable complexity of the
           products of this particular recipe. This, in fact, proved to be the case: a laboratory synthesis of
           the recipe from the Simone manuscript for a blue pigment produced soft turquoise particles that
           did  not give an identifiable powder X-ray diffraction  pattern.
               The following recipe from  the Mappae clavicula is for "Byzantine Green":

               [recipe 5] f you  want to make Byzantine Green, take a new pot and put sheets of copper in
                       I
               it then  fill  with very strong vinegar, cover and seal, leave for six months. The product can
               be dried in the sun. (Smith and Hawthorne 1974:27)

           Another  set  of instructions  from  the  Mappae clavicula  (recipe  10) mentions  that  Byzantine
           green  can  be  tempered  with  vinegar, which would  convert the  basic verdigris salts into  neu­
           tral verdigris (Smith  and Hawthorne  1974:27). This would  help produce  a purer  product on
           recrystallization.
               The Mappae clavicula  also gives instructions for making "Rouen  Green":

               [recipe  6] Rouen  Green.  Take  sheets of copper,  smear with  soap. Put  the  sheets into  a
               pot,  fill  with  vinegar,  cover,  seal and  place in a warm place  for  fifteen  days.  (Smith  and
               Hawthorne 1974:27)

           APPENDIX  B, RECIPE  15, describes the replication experiment for this recipe, which produced
           a light blue material that is probably basic verdigris.
               The following process from  the Mappae clavicula  calls for the use of copper strips:

               [recipe 221-D] Take copper strips and scrape them down well and hang them over vinegar.
               Scrape off  and gather  the stuff that collects on it. (Smith and Hawthorne 1974:  6i)






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