Page 204 - Designing_Nature_The_Rinpa_Aesthetic_in_Japanese_Art Metropolitan Museum PUB

36. 古谷紅燐 『光琳模様』波に烏図 Set of four sliding-door panels (fusuma); ink and gold 48. 崎山隆之作 『聴涛』
Furuya Kōrin (1875 – 1910) on paper, 68 ¹/₂ × 190 ³/₈ in. (174 × 483.6 cm) Sakiyama Takayuki (b. 1958)
Illustrations from Kōrin Patterns (Kōrin moyō) The Metropolitan Museum of Art, New York; Gift of Listening to the Waves
Meiji period (1868 – 1912), 1907 Gitter-Yelen Foundation, in honor of Maxwell K. Hearn, Heisei period (1989 – present), 2004
From a set of two woodblock-printed books (vol. 2); ink 2011 (2011.526.1c, d) Sand-glazed stoneware, 15 ³/₄ × 12 ³/₄ in. (40 × 32.4 cm)
on paper, each volume 10 ¹/₁₆ × 7 ¹/₂ in. (25.5 × 19 cm) The Metropolitan Museum of Art, New York; Gift of
Collection of Jeffrey W. Pollard and Ooi-Thye Chong Selected Reference: Wood et al., Kamisaka Sekka: Rimpa Mary Griggs Burke, 2004 (2004.201)
Master, no. 125
37. 鈴木其一筆 蓮の花びら流れ
Suzuki Kiitsu (1796 – 1858) 42. 神坂雪佳画『百々世草』波に満月図 birds
Lotus Blossoms Floating on a Stream Kamisaka Sekka (1866 – 1942)
Edo period (1615 – 1868), 1820s “Cresting Wave” (Tatsunami ), from Flowers of a Hun- 49. 俵屋宗達筆・烏丸光広書 かいつぶり図
Signature: Kiitsu hitsu (drawn by Kiitsu) dred Worlds (Momoyogusa) Painting by Tawaraya Sōtatsu (d. ca. 1640)
Seal: [unread] Meiji period (1868 – 1912), 1910 Calligraphy by Karasumaru Mitsuhiro (1579 – 1638)
Surimono (privately published woodblock print); nagaban From a set of three woodblock-printed books (vol. 1); ink Grebe in Flight
(long horizontal print); ink and color on paper, approx. and color on paper, 11 ⁷/₈ × 8 ⁷/₈ in. (30.2 × 22.5 cm) Edo period (1615 – 1868), probably 1630s
8 ¹/₂ × 22 in. (21.6 × 55.9 cm) Collection of Jeffrey W. Pollard and Ooi-Thye Chong Painter’s signature: Sōtatsu Hokkyō
Collection of Virginia Shawan Drosten Painter’s seal: Taiseiken
43. 綸子地流水模様着物 Calligrapher’s seal: Mitsuhiro
38. 酒井鶯浦筆 六玉川絵巻 Kimono with stylized flowing water Hanging scroll; ink on paper, 35 ¹/₄ × 14 ³/₁₆ in. (89.5 × 36 cm)
Sakai Ōho (1808 – 1841) Shōwa period (1926 – 89), first half of the 20th century Collection of Peggy and Richard M. Danziger
Six Jewel Rivers (Mu-Tamagawa) Figured silk, paste-resist dyed, with gold and silver
Edo period (1615 – 1868), ca. 1840 painted accents, 59 × 51 in. (149.9 × 129.5 cm) Selected References: Chizawa, “Kaitsuburi zu, Kara-
Signature: on each scroll, Ōho hitsu (painted by Ōho) Collection of Sue Cassidy Clark sumaru Mitsuhiro san, in,” pp. 98 – 102; Link and Shimbo,
Seal: on each scroll, Hansei Exquisite Visions: Rimpa Paintings from Japan, no. 12;
Six handscrolls; ink, color, and gold on silk, each scroll 44. 風通地波模様帯 Shimizu and Rosenfield, Masters of Japanese Calligraphy,
approx. 3 ¹/₂ × 47 ¹/₈ in. (9 × 119.6 cm) Sash (obi ) with stylized waves no. 107 ; Yamane, Kōetsu, Sōtatsu, Kōrin, p. 175; Yamane,
Mary and Jackson Burke Foundation Meiji period (1868 – 1912), early 20th century Rinpa kaiga zenshū, vol. 2, Sōtatsu-ha II, p. 303
Silk- and metallic-thread double cloth (fūtsū), 11 ⁵/₈ ×
Selected References: Murase, Bridge of Dreams, no. 138; 163 in. (29.5 × 414 cm) 50. 俵屋宗達筆 鴨に菖蒲図
Murase, “Evolution of Meisho-e,” pp. 94 – 97 ; Murase, The Metropolitan Museum of Art, New York; Gift of Tawaraya Sōtatsu (d. ca. 1640)
Jewel Rivers, no. 39; Murashige and Kobayashi, Rinpa, Sue Cassidy Clark, in honor of Dr. Barbara Brennan Duck Flying over Irises
vol. 5, Sōgō, fig. 111; Tsuji Nubuo, Nyūyōku Bāku Korekushon Ford, 2005 (2005.171) Edo period (1615 – 1868), probably 1630s
ten, pp. lxxiv, 267 – 68, pl. 96; Yasumura, “Rinpa Signature: Sōtatsu Hokkyō
kankaku no tenkai,” nos. 94 – 101 45. 中村卓夫作 波文水差 Seal: Taiseiken
Nakamura Takuo (b. 1945) Hanging scroll; ink on paper, 40 ¹/₂ × 19 ³/₁₆ in.
39. 柴田是真作 波文印籠 Water jar (mizusashi ) with stylized waves (102.9 × 48.7 cm)
Shibata Zeshin (1807 – 1891), after a design by Ogata Heisei period (1989 – present), 2001 Gitter-Yelen Collection
Kōrin (1658 – 1716) Stoneware inlaid with gold and silver, with lacquered-
Inrō with stylized waves wood lid, 5 × 9 ³/₄ × 8 ¹/₄ in. (12.7 × 24.8 × 20.9 cm) Selected References: Addiss et al., Myriad of Autumn
Meiji period (1868 – 1912), late 19th century The Metropolitan Museum of Art, New York; Leaves: Japanese Art from the Gitter Collection, no. 9;
Signatures: Zeshin sha (copied by Zeshin); inside lid, Purchase, Barbara and William Karatz Gift, 2001 Itabashi Ward Museum, Karasumaru Mitsuhiro to
Hokkyō Kōrin (2001.735a, b) Tawaraya Sōtatsu: Tokubetsuten, no. 77 ; Murashige and
Gold lacquer with pewter inlay; ojime: bronze and gold Kobayashi, Rinpa, vol. 5, Sōgō, fig. 89; Rotondo-McCord,
jar; netsuke: carved tortoiseshell turtle 46. 岡田雄志作 螺鈿蒔絵乾漆盛盆 Enduring Vision: 17th- to 20th-Century Japanese Painting
The Metropolitan Museum of Art, New York; The Okada Yūji (b. 1948) from the Gitter-Yelen Collection, no. 79, pl. 82; Yamane,
Howard Mansfield Collection, Purchase, Rogers Fund, Footed tray with stylized waves Rinpa kaiga zenshū, vol. 2, Sōtatsu-ha II, no. 133
1936 (36.100.249) Heisei period (1989 – present), 2002
Signature: on base, Yū 51. 酒井抱一 『光琳百図』鴨図
40. 縮緬地波に鵜飼模様単衣 Dry lacquer (kanshitsu) on cloth with mother-of-pearl Sakai Hōitsu (1761 – 1828)
Summer robe with waves and cormorant fishing inlay and sprinkled gold, 3 ⁵/₈ × 23 ³/₈ × 12 ¹/₁₆ in. “Ducks in Flight,” from One Hundred Paintings by Kōrin
Shōwa period (1926 – 89), second quarter of the (9.2 × 59.4 × 30.6 cm) (Kōrin hyakuzu)
20th century The Metropolitan Museum of Art, New York; Gift of Edo period (1615 – 1868), 1815 (1st edition)
Silk, lacquered threads, and silk embroidery, Sue Cassidy Clark, in honor of Barbara Brennan Ford, From a set of two woodblock-printed books (vol. 2); ink
paste-resist dyed and hand-painted, 59 ¹³/₁₆ × 50 ³/₈ in. 2012 (2012.58) on paper, each volume 10 ³/₈ × 7 ³/₁₆ × 1 in. (26.4 × 18.3 ×
(152 × 128 cm) 2.5 cm)
John C. Weber Collection 47. 門田篁玉作 『維新』 The Metropolitan Museum of Art, New York; The
Monden Kōgyoku (b. 1916) Howard Mansfield Collection, Gift of Howard
Selected Reference: Trede and Meech, Arts of Japan: Renewal (Ishin), from the Waves series Mansfield, 1936 (JIB118 a – d)
Weber Collection, no. 74 Heisei period (1989 – present), 1990s
Signature: on base, Kōgyoku 52. 尾形光琳筆 松竹に鶴図屏風
41. 神坂雪佳筆 竹波図襖 Madake bamboo shaped with the uneri-ami (twisted- Ogata Kōrin (1658 – 1716)
Kamisaka Sekka (1866 – 1942) weave) technique, 14 × 21 × 21 in. (35.6 × 53.3 × 53.3 cm) Cranes, Pines, and Bamboo designing nature
Bamboo and Waves Collection of Diane and Arthur Abbey Edo period (1615 – 1868), late 17th century
Meiji period (1926 – 89), early 20th century Pair of folding screens; ink and light color on paper,
Signature: Sekka hitsu (painted by Sekka) right screen 60 ⁹/₁₆ × 96 ⁵/₁₆ in. (153.8 × 244.6 cm), left
Seal: [unread] screen 60 ⁹/₁₆ × 148 ¹/₂ in. (153.8 × 377.2 cm)

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