Page 208 - Designing_Nature_The_Rinpa_Aesthetic_in_Japanese_Art Metropolitan Museum PUB

Rotondo-McCord, Enduring Vision: 17th- to 20th-Century Selected References: Addiss et al., Myriad of Autumn 98. 服部唯三郎作 花文様七宝花瓶
Japanese Painting from the Gitter-Yelen Collection, p. 156, Leaves: Japanese Art from the Gitter Collection, no. 15; Hattori Tadasaburō (d. 1939)
pl. 93a – c, no. 91; Shirahata and Tokuda, Rinpa kaiga Nakamura et al., Hōitsu-ha kachō gafu, no. 79; Sakai Brush holder with spiderwort flowers
senshū, vol. 3, no. 18; Takashimaya Department Store, Hōitsu-ten kaisai jikkō iinkai, Sakai Hōitsu to Edo Meiji period (1868 – 1912), ca. 1905 – 10
Sakai Hōitsu ten, pl. 45; Tamamushi, Sakai Hōitsu, Rinpa no zenbo, no. 38; Yamane, Rinpa kaiga zenshū, Signature: on base, Hattori zō (produced by Hattori)
fig. 90; Yamane, Rinpa kaiga zenshū, vol. 5, Hōitsu-ha, vol. 5, Hōitsu-ha, fig. 164 Standard and moriage (“heaped-up”) cloisonné enamel,
pls. 90 – 92 silver wires, and copper-alloy rims, 8 ¹¹/₁₆ × 2 ³/₁₆ in.
93. 合川珉和画 『光琳画式』 (22.1 × 5.6 cm)
89. 酒井抱一筆・外山光實賛 月に葛図 Aikawa Minwa (active 1806 – 21) Collection of Fredric T. Schneider
Painting by Sakai Hōitsu (1761 – 1828) Puppies and morning glories, from Kōrin’s Painting
Poem and calligraphy by Toyama Mitsuzane (1756 – 1821) Style (Kōrin gashiki ) 99. 伝安藤七宝店 伝川出芝太郎作 芥子文様七宝花瓶
Moon and Arrowroot Vine Edo period (1615 – 1868), 1818 Attributed to Kawade Shibatarō (1861 – 1921) for the
Edo period (1615 – 1868), probably ca. 1820 From a set of two woodblock-printed books (vol. 1); Andō Cloisonné Company (1880 – present)
Painter’s signature: Hōitsu hitsu (painted by Hōitsu) ink and color on paper, 10 ¹/₁₆ × 7 ¹/₁₆ × ³/₁₆ in. (25.5 × Vase with poppies
Painter’s seal: Monsen 18 × 0.5 cm) Meiji period (1868 – 1912), ca. 1908 – 10
Calligrapher’s signature: Mitsuzane The Metropolitan Museum of Art, New York; Standard cloisonné enamel with silver wires and rims,
Hanging scroll; ink and color on silk, 36 ¹/₄ × 13 ¹¹/₁₆ in. Rogers Fund, 1918 (JIB59a, b) 14 ⁵/₈ × 7 in. (37.1 × 17.8 cm)
(92 × 34.7 cm) Collection of Fredric T. Schneider
Collection of T. Richard Fishbein and Estelle P. Bender 94. 神坂雪佳画 『百々世草』朝顔図
Kamisaka Sekka (1866 – 1942) 100. 柴田是真筆 月秋之草図
Selected References: Ichikawa and Tanaka, Rinpa to “Morning Glories” (Asagao), from Flowers of a Hundred Shibata Zeshin (1807 – 1891)
chadōgu: Manno korekushon no meihin ikkyo kō, Kobayashi Worlds (Momoyogusa) Autumn Grasses in Moonlight
Tadashi, Rinpa, vol. 2, Kachō II, pp. 144, 277, no. 236; Meiji period (1868 – 1912), 1910 Meiji period (1868 – 1912), ca. 1872 – 91
Manno Art Museum, Selected Masterpieces, p. 47, fig. 26; From a set of three woodblock-printed books (vol. 1); Signature: Zeshin
Mizuo, Sōtatsu Kōrin-ha gashū, pl. 47 ink and color on paper, 11 ⁷/₈ × 8 ⁷/₈ in. (30.2 × 22.5 cm) Seal: Tairyūkyo (Home Opposite the Willows [name of
Collection of Jeffrey W. Pollard and Ooi-Thye Chong the artist’s studio in Edo])
90. 鈴木其一筆 杜若と水流 Two-panel folding screen; ink, lacquer, and silver leaf
Suzuki Kiitsu (1796 – 1858) 95. 俵屋宗理筆 朝顔図屏風 on paper, 26 ¹/₈ × 69 in. (66.4 × 175.3 cm)
Irises and Stream Tawaraya Sōri (active ca. 1764 – 80) The Metropolitan Museum of Art, New York; The
Edo period (1615 – 1868), early to mid-19th century Morning Glories Harry G. C. Packard Collection of Asian Art, Gift of
Signature: Seisei Kiitsu Edo period (1615 – 1868), late 18th century Harry G. C. Packard, and Purchase, Fletcher, Rogers,
Seal: Shukurin Signature: Hyakurinsai Sōri hitsu (painted by Hyakurin Harris Brisbane Dick, and Louis V. Bell Funds, Joseph
Hanging scroll; ink and color on paper, 35 ¹/₈ × 11 ³/₄ in. Sōri) Pulitzer Bequest, and The Annenberg Fund Inc. Gift,
(89.2 × 29.8 cm) Seal: Genchi 1975 (1975.268.137)
Collection of Jane and Raphael Bernstein Two-panel folding screen; ink and color on paper,
19 ¹⁵/₁₆ × 65 ³/₁₆ in. (50.6 × 165.6 cm) Selected Reference: Meech-Pekarik, “Twelve Japanese
91. 鈴木其一筆 朝顔図屏風 The Metropolitan Museum of Art, New York; The Screens,” pp. 60 – 63, no. 12
Suzuki Kiitsu (1796 – 1858) Howard Mansfield Collection, Purchase, Rogers Fund,
Morning Glories 1936 (36.100.27)
Edo period (1615 – 1868), early 19th century
Signature: on each screen, Seisei Kiitsu 96. 安藤七宝店 川出芝太郎作 菊紋入花文様七宝花瓶
Seal: Isandō Kawade Shibatarō (1861 – 1921) for the Andō Cloisonné
Pair of six-panel folding screens; ink, color, and gold on Company (1880 – present)
gilded paper, each screen 70 ³/₁₆ × 12 ft. 5 ¹/₂ in. (178.3 × One of a pair of imperial presentation vases with maple
379.7 cm) branches and imperial chrysanthemum crest
The Metropolitan Museum of Art, New York; Seymour Meiji period (1868 – 1912), ca. 1906
Fund, 1954 (54.69.1, .2) Seal: on base, Kawade sei (produced by Kawade) within
the mark of Ando Cloisonné Company
Selected References: Furuta and Nakamura, Rinpa, Standard and repoussé cloisonné enamel with silver
pp. 108 – 9, no. 37; Kobayashi Tadashi, Sakai Hōitsu to wires and rims, H. 17 ¹/₄ in. (43.8 cm), W. 6 ³/₄ in. (17.1
Edo Rinpa no bigaku, pls. 18, 59; Murase, Through the cm)
Seasons: Japanese Art in Nature, pp. 73 – 74, pl. 4; Yamane, The Metropolitan Museum of Art, New York;
Rinpa kaiga zenshū, vol. 5, Hōitsu-ha, fig. 129 Gift of Barbara S. McKenna, 1976 (1976.320.1,.2 )
92. 鈴木其一筆・亀田鵬斎賛 朝顔図 97. 服部唯三郎作 菊紋入百合文様七宝花瓶
Painting by Suzuki Kiitsu (1796 – 1858) Hattori Tadasaburō (d. 1939)
Poem and calligraphy by Kameda Bōsai (1752 – 1826) Imperial presentation vase with lilies and imperial
Morning Glories chrysanthemum crest
Edo period (1615 – 1868), before 1826 Meiji period (1868 – 1912), ca. 1905 – 12
Painter’s signature: Kiitsu hitsu (painted by Kiitsu) Signature: on base, Hattori kinsei (respectfully produced
Painter’s seal: Jōun by Hattori)
Calligrapher’s signature: Bōsai rōjin (Old Man Bōsai) Standard and moriage (“heaped-up”) cloisonné enamel,
Calligrapher’s seal: Chōkō Shi-in silver and gold wires, and silver rims, 14 ⁵/₁₆ × 6 in. designing nature
Hanging scroll; ink and light color on paper, 39 ¹/₂ × (36.4 × 15.2 cm)
10 ¹/₄ in. (100.4 × 26 cm) Collection of Fredric T. Schneider
Gitter-Yelen Collection

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