Page 207 - Designing_Nature_The_Rinpa_Aesthetic_in_Japanese_Art Metropolitan Museum PUB

Edo period (1615 – 1868), shortly after 1615 Edo period (1615 – 1868), second quarter of the 19th century Japanese Art in the West, p. 209, nos. 248a,b; Meech-
Fragment of a handscroll mounted as a hanging scroll; Signature: Kaikai Kiitsu Pekarik, “Twelve Japanese Screens,” pp. 48 – 51, nos. 8, 9;
ink, silver, and gold on decorated paper, 13 × 22 ⁷/₈ in. Seal: Niwabyōshi Murase, Byōbu: Japanese Screens from New York Collec-
(33 × 58.1 cm) Hanging scroll; ink and color on silk, 38 ⁹/₁₆ × 13 ¹/₈ in. tions, no. 3; Nezu Museum, Kokuhō Kakitsubata zu:
Collection of Jane and Raphael Bernstein (98 × 33.3 cm) Hozon shūri shunkō kinen, pl. 38; Nezu Museum, Kōrin
The Metropolitan Museum of Art, New York; T. Richard ten: Kokuhō “Kakitsubata zu” to Metoroporitan Bijutsukan
Selected Reference: Yamane, Kōetsu sho Sōtatsu kingin-dei-e, Fishbein and Estelle P. Bender Collection, Promised shozō “Yatsuhashi zu,” nos. 8, 8-1, 8-4 – 8-7, figs. 2, 3;
vol. 1, Kenkyū-hen, fig. 148 (reconstruction of entire scroll; Gift of T. Richard Fishbein and Estelle P. Bender Priest, “Kōrin and the Iris Screens,” pp. 209 – 12; Shimada,
images of this section of poems [35 – 37] not included) Zaigai hihō: Ō-Bei shūzō Nihon kaiga shūsei, vol. 2, Shōheiga,
81. 尾形乾山作 銹絵染付絵替土品皿 Rinpa, Bunjinga, p. 59; Tanaka Ichimatsu, Art of Kōrin,
77. 伝俵屋宗達 月に秋草図屏風 Ogata Kenzan (1663 – 1743) fig. 3; Yamane, Rinpa kaiga zenshū, vol. 3, Kōrin-ha I,
Studio of Tawaraya Sōtatsu Dishes (kawarake) with seasonal designs p. 78, pls. 11, 54, 55, figs. 7, 160; Yamane, Rinpa meihin
Moon and Autumn Grasses Edo period (1615 – 1868), 1712 – 30 hyakusen, no. 75; Yamane, Zaigai Nihon no shihō, vol. 5,
Edo period (1615 – 1868), mid-17th century Signature: on bottom edge of each dish, Kenzan Rinpa, pl. 59
Signature: on each screen, Sōtatsu Hokkyō Earthenware with white slip, iron oxide and underglaze
Seal: on each screen, Taiseiken cobalt-blue, diam. of each approx. 4 ⁷/₁₆ in. (11.2 cm) 85. 麻地八つ橋模様帷子
Pair of six-panel folding screens; ink, color, and gold Collection of Peggy and Richard M. Danziger Summer robe with irises and plank bridges
flecks on paper, 59 ⁷/₁₆ in. × 11 ft. 10 ³/₈ in. (151 × 361.6 cm) Edo period (1615 – 1868), mid-19th century
The Metropolitan Museum of Art, New York; The Selected Reference: Rousmaniere, Kazari, no. 68 Bast fiber, paste-resist dyed, silk embroidery, and couched
Harry G. C. Packard Collection of Asian Art, Gift of metallic-wrapped threads, 70 × 47 in. (177.8 × 119.4 cm)
Harry G. C. Packard, and Purchase, Fletcher, Rogers, 82. 尾形乾山作 色絵大角皿 John C. Weber Collection
Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Ogata Kenzan (1663 – 1743)
Pulitzer Bequest, and The Annenberg Fund Inc. Gift, Square dish with spring flowers 86. 古谷光琳『こうりん模様』
1975 (1975.268.60, .61) Edo period (1615 – 1868), early 18th century Furuya Kōrin (1875 – 1910)
Signature: on base, Kenzan Irises at Yatsuhashi, from Kōrin Patterns
Selected References: Kobayashi Tadashi and Murashige, Stoneware, H. 2 ¹/₁₆ in. (5.2 cm), W. 14 ⁷/₁₆ in. (36.7 cm), (Kōrin moyō )
Shōsha na sōshoku bi: Edo shoki no kachō, pp. 110 – 11, 148, 167, L. 12 ⁷/₁₆ in. (31.6 cm) Meiji period (1868 – 1912), 1907
pl. 70; Mizuo, Edo Painting: Sōtatsu and Kōrin, pp. 44 – 45, Mary and Jackson Burke Foundation From a set of two woodblock-printed books (vol. 2), ink
fig. 37 (identified as Musashino screens); Murashige, on paper, 10 ¹/₁₆ × 7 ¹/₂ in. (25.5 × 19 cm)
Sōtatsu to sono yōshiki, pl. 57 ; Nagatake, Zusetsu Nihon no 83. 尾形乾山筆 蔦図 Collection of Jeffrey W. Pollard and Ooi-Thye Chong
aka-e, p. 179, fig. 43; Narazaki, Mizuo, and Yoshizawa, Ogata Kenzan (1663 – 1743)
Kinsei kaiga, pl. 57 ; Nihon Keizai Shinbunsha and Autumn Ivy 87. 中村芳中筆 月次草花図屏風
Bunkazai Hogo Iinkai, Tawaraya Sōtatsu-ten, p. 11; Edo period (1615 – 1868), after 1732 Nakamura Hōchū (d. 1819)
Shimada, Zaigai hihō: Ō-Bei shūzō Nihon kaiga shūsei, Signature: Shisui Shinsei ga (painted by Shisui Shinsei) Flowers of the Twelve Months
vol. 2, Shōheiga, Rinpa, Bunjinga, pl. 51; Takeda, Seal: Shinsei Edo period (1615 – 1868), ca. 1804 – 8
Keibutsuga: Shiki keibutsu, p. 142, figs. 16, 17 ; Yamane, Album leaf mounted as a hanging scroll; ink, color, and Signature: Hōchū kore o egaku (painted by Hōchū)
Rinpa kaiga zenshū, vol. 2, Sōtatsu-ha II, pls. 127, 159, 162, gold on paper, 8 ³/₈ × 10 ⁷/₈ in. (21.3 × 27.6 cm) Seals: Hō; [illegible]
163, fig. 53; Yamane, Sōtatsu, pl. 48 The Metropolitan Museum of Art, New York; The Twelve fans mounted on a pair of two-panel folding
Harry G. C. Packard Collection of Asian Art, Gift of screens; ink, color, and gold on paper, each panel
78. 花野菜四季図屏風 Harry G. C. Packard, and Purchase, Fletcher, Rogers, 65 ¹/₂ × 72 ³/₁₆ in. (166.4 × 183.4 cm)
Flowering Plants and Vegetables of the Four Seasons Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Gitter-Yelen Collection
Edo period (1615 – 1868), early 18th century Pulitzer Bequest, and The Annenberg Fund Inc. Gift,
Seal: on each screen, I’nen 1975 (1975.268.67) 88. 酒井抱一筆 ・花山院愛徳賛 朝陽に四季花草図
Pair of six-panel screens; ink and light colors on Painting by Sakai Hōitsu (1761 – 1828)
gold-leafed paper, each screen 64 ³/₁₆ × 146 ⁷/₁₆ in. Selected References: Shimada, Zaigai hihō: Ō-Bei shūzō Calligraphy by Kazan’in Yoshinori (1755 – 1829)
(163 × 372 cm) Nihon kaiga shūsei, vol. 2, Shōheiga, Rinpa, Bunjinga, Rising Sun and Trees and Flowers of the Four Seasons
The Metropolitan Museum of Art, New York; Gift of no. 63; Yamane, Rinpa kaiga zenshū, vol. 4, Kōrin-ha II, Edo period (1615 – 1868), after 1824
Sue Cassidy Clark, in honor of Dr. Barbara Brennan p. 18, pl. 12, no. 33 Painter’s signature: on right scroll, Hōitsu hitsu (painted
Ford, 2005 (2005.170.1, .2) by Hōitsu); on center scroll, Hōitsu Kishin hitsu; on left
84. 尾形光琳筆 八橋図屏風 scroll, Hōitsu hitsu
Selected Reference: Nakamachi, “Shiki sōka sosai zu Ogata Kōrin (1658 – 1716) Painter’s seals: on each scroll, Ōson; also on middle
byōbu,” pp. 16 – 19 Irises at Yatsuhashi (Eight Bridges) scroll, Monsen
Edo period (1615 – 1868), after 1709 Calligrapher’s signature: Zen udaijin Yoshinori kore o
79. 伝喜多川相説筆 芥子図 Signature: on right screen, Hokkyō Kōrin; on left screen, yomu (composed by the former Chancellor of the Right,
Attributed to Kitagawa Sōsetsu (active 1639 – 50) Seisei Kōrin Yoshinori)
Poppies Seals: on each screen, Masatoki (or Hōshūku) Triptych of hanging scrolls; ink and color on silk, each
Edo period (1615 – 1868), 18th century Pair of six-panel folding screens; ink, color, and gold scroll 41 ¹/₈ in. × 16 ¹/₈ in. (104.4 × 40.9 cm)
Seal: I’nen leaf on paper, each screen 64 ⁷/₁₆ in. × 11 ft. 6 ³/₄ in. Gitter-Yelen Collection
Hanging scroll; color and gold on paper, 34 ¹/₄ × 14 ⁵/₈ in. (163.7 × 352.4 cm)
(87 × 37.1 cm) The Metropolitan Museum of Art, New York; Purchase, Selected References: Addiss et al., Myriad of Autumn
The Metropolitan Museum of Art, New York; H. O. Louisa Eldridge McBurney Gift, 1953 (53.7.1, .2) Leaves: Japanese Art from the Gitter Collection, no. 14;
Havemeyer Collection, Bequest of Mrs. H. O. Kanō, Okudaira, and Yasumura, Rinpa bijutsukan, vol. 3,
Havemeyer, 1929 (29.100.524) Selected References: Atami Art Museum, Kōetsu, Sōtatsu, Hōitsu to Edo Rinpa, fig. 27 ; Kobayashi Tadashi, Rinpa,
Kōrin-ha ten, pp. 166 – 67, figs. 54, 55; Hamada Takashi et vol. 3, Fūgetsu chōjū, pp. 267, 304, fig. 28; Kobayashi
80. 鈴木其一筆 芥子図 al., Zaigai bijutsu: Kaiga, pls. 94, 95; Kōno, Tanaka, and Tadashi, Sakai Hōitsu to Edo Rinpa no bigaku, fig. 14;
Suzuki Kiitsu (1796 – 1858) Matsushita, Ogata Kōrin, pl. 7 ; Kuroe, Nihon: Kumita, Nakamura, and Shirasaki, Sakai Hōitsu gashū,
Poppies Sōshokuga, Eitoku kara Sōtatsu, Kōrin, p. xx; Mayuyama, figs. 34, 35, 115; Murashige, Rinpa, vol. 1, Kachō I, pl. 81;
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