Page 213 - Designing_Nature_The_Rinpa_Aesthetic_in_Japanese_Art Metropolitan Museum PUB

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Page references to illustrations are in italics. square dish with spring flowers (cat. 82), 167, 178 flower arrangement (rikka, seika [or shōka], or ikebana),
tiles with pine motifs (cat. 66), 147, 156 164 – 66
A Listening to the Waves by Sakiyama (cat. 48), 103, 127 Flowering Plants and Vegetables of the Four Seasons (cat. 78),
Aikawa Minwa (active 1806 – 21), Kōrin’s Painting Style (Kōrin water jar (mizusashi) with stylized waves by Nakamura 166, 174, 175 (detail)
gashiki), 90 (cat. 45), 27, 103, 124 Flowers of a Hundred Worlds (Momoyogusa), 37 – 38
Jurōjin and a crane and deer from (cat. 29), 90 – 91, 97 cherry blossoms, 15, 66, 95 “Bamboo in the Snow” (Setchū take) from (cat. 71), 37 – 38,
puppies and morning glories from (cat. 93), 168, 193 Chinese influences, 34 147, 160
Andō Cloisonné Company (1880 – present), vases (cats. 96, botanical subjects and, 144 “Cresting Wave” (Tatsunami) from (cat. 42), 38, 103,
99), 35, 196, 197 ink and wash techniques and, 13, 30, 33, 39 120 – 21
Anthology of Japanese and Chinese Poems (Wakan rōeishū), poetry and, 63 – 64 “Morning Glories” (Asagao) from (cat. 94), 168, 193
thirty-six poems from (cat. 15), 63 – 64, 72 – 73 sage depictions and, 88, 90 “Puppies” (Enokoro) from (fig. 9), 37, 38
Ariwara no Narihira (825 – 880), 15, 24, 44 chirashigaki (“scattered writing”), 15, 16, 63 “Rice Paddies in Spring” (Haru no tanomo) from (fig. 10),
portrait of (cat. 17), 81 “chopping-board” platter with cranes flying across the sun 37, 38
arrowroot vines, 32, 72 – 73, 168, 188, 188 by Wakao (cat. 59), 39, 131, 143 “Six Poets” (Rokkasen) from (cat. 21), 79, 85
Art Nouveau, 35, 41n.63, 103, 168 – 69 chrysanthemums, 37, 64, 132, 166, 169, 196 “Windswept Pines by the Shore” (Sonare matsu) from
Asai Chū (1857 – 1907), 41n.63 clay. See also ceramics (cat. 68), 147, 157
Ashikaga shoguns, 62 Sakiyama’s Listening to the Waves (cat. 48), 103, 127 Flowers of the Twelve Months (cat. 87), 32, 167, 184 – 85
Autumn Grasses in Moonlight (cat. 100), 169, 198 – 99 clematis, 69 footed tray with stylized waves by Okada (cat. 46), 39,
Autumn Ivy (cat. 83), 167, 179 cloisonné (cats. 96 – 99), 28, 34, 35, 41n.64, 168 – 69, 196 – 97 103, 125
Autumn Maple (cat. 64), 146, 153 cloud motifs, 159 Four Sleepers, The (cat. 24), 90, 92
clover, bush (hagi), 28 Freer, Charles (1854 – 1919), 20
B Collection of Japanese Poems of a Thousand Years (Senzai Freer Gallery of Art, Washington, D.C., 20
bamboo, depictions of, 93, 103, 136, 147, 160, 161 wakashū), poem from (cat. 75), 170 Fujita Kyōhei (1921 – 2004), Red and White Plum Blossoms
bamboo, in Monden’s Renewal (Ishin), from Waves series Collection of Poems Ancient and Modern (Kokin wakashū), 76 (cat. 74), 39, 147, 163
(cat. 47), 103, 126 Concise Compendium of Seals of the Ogata Lineage, A (Ogata-ryū Fujiwara no Kanesuke (877 – 933), 156
Bamboo and Waves (cat. 41), 103, 118 – 19 ryaku inpu), 31 – 32 Fujiwara no Kintō (966 – 1041), 64, 78
bellflowers (kikyō), 28, 29 Confucianism, 13, 91 Fujiwara no Norinaga (1109 – 1177), 170
bird imagery (cats. 49 – 59), 128 – 32, 133 – 43, 160. See also cormorants (u), 101, 103, 111, 117, 128, 131, 139 Fujiwara no Okikaze (active late 9th – early 10th century),
specific birds craft-arts movement, 36, 39. See also ceramics; cloisonné; 69
direct study from nature and, 130 lacquerware; textiles Fujiwara no Teika (1162 – 1241), 78
Birds and Flowers of the Twelve Months (Teika ei jūnikagetsu Crane and Pine Tree with Rising Sun (cat. 53), 130, 131, 137 Birds and Flowers of the Twelve Months (Teika ei jūnikagetsu
kachō waka) by Fujiwara no Teika, Kenzan’s poem-paintings cranes, 15, 38, 39, 91, 95, 96, 97, 130 – 31, 136, 137, 143 kachō waka), Ogata Kenzan’s poem-paintings inspired
inspired by (cats. 54, 55), 131, 138, 139 associations of, 130 – 31 by (cats. 54, 55), 131, 138, 139
boatman imagery, 102, 110, 111 Cranes, Pines, and Bamboo (cat. 52), 130, 136 depicted in Sekka’s “Three Evenings” (Sanseki), from
Boatman Poling a Raft (cat. 35), 102, 111 cuckoos (hototogisu), 128, 131, 138 A Thousand Grasses (Chigusa) (fig. 7), 36, 37
Boats upon Waves (cat. 33), 100 – 102, 106 – 7 Cypress Trees (cat. 65), 33, 146, 154 – 55 Fukae Roshū (1699 – 1757), 30
bridge motifs, 23 – 25, 167, 180 – 83 “Mount Utsu” (Utsu no yama), from The Ise Stories (Ise
brush holder, cloisonné (cat. 98), 197 D monogatari) (cat. 2), 16, 30, 45, 49
brushwork techniques, 17 – 18. See also mokkotsu; tarashikomi Daoism, 13 Fukae Shōzaemon, 30
Budai. See Hotei Daoist sages, depictions of (cats. 27 – 31), 88 – 91, 95 – 99, 130 Fukurokuju, 90 – 91, 130
Buddhism, 13, 31 deer, 29, 91, 97, 98 Fun’ya no Asayasu (late 9th century), 171
Buddhist masters, depictions of (cats. 24 – 27), 88 – 91, 92 – 95 deutzia flowers (unohana), 131, 138 Furuta Oribe (1534/44 – 1615), 62
Bukan (Ch: Fenggan), 90 dolls, wooden, 36 Furuya Kōrin (1875 – 1910), Kōrin Patterns (Kōrin moyō),
Bunchō’s Conversations on Painting (Bunchō gadan), 26 Duck Flying over Irises (cat. 50), 130, 134 35 – 36
butterflies, 15, 166, 170 ducks, 128, 130, 134, 135 cormorants and waves and boatman poling a raft from
(cat. 36), 102, 111
C E Irises at Yatsuhashi from (cat. 86), 183
calligraphy (cats. 9 – 16), 60 – 64, 65 – 75 Edo period (1615 – 1868), 14, 39, 42, 147 Fuyuki family, 26, 28, 41n.32
background decoration and, 14 – 15, 166 calligraphy in, 62, 64
chirashigaki (“scattered writing”) in, 15, 16, 63 flowering of Rinpa in, 22 – 33 G
decorated shikishi (poem cards) and, 14 – 16 Nihonga movement in, 32, 33, 34 – 35, 36, 39 gardening, 144, 164
in Heian court, 60 – 62, 166 Epochs of Chinese and Japanese Art (Fenollosa), 11, 20 – 21, Gathering of Waka Poets (cat. 20), 79, 84
importance of, in East Asian cultures, 60 – 61 22 geese, 128, 132, 142
orthodox, models of, 62 – 63 Exposition Universelle, Paris (1900), 35, 41n.63 Genji monogatari. See Tale of Genji, The
writing systems in, 61 – 62 Genroku era (1688 – 1703), 22
ceramics, 27, 34, 35, 39, 168 F Gidō Sanshi, mother of (d. 996), 71
“chopping-board” platter with cranes flying across the sun fans, drawings and paintings in shape of, 14 Gilot, Charles (1853 – 1903), 21
by Wakao (cat. 59), 39, 131, 143 Flowers of the Twelve Months (cat. 87), 32, 184 – 85 glass box by Fujita, Red and White Plum Blossoms (cat. 74),
floral motifs in, 166 – 67 Fukae Roshū’s “Mount Utsu” (Utsu no yama), from The Ise 39, 147, 163
foreign motifs in, 167 Stories (Ise monogatari) (cat. 2), 16, 30, 45, 49 Gleanings of Foolish Grasses (Shūigusō) (cats. 54, 55), 131,
incense burner with flowers of four seasons by workshop Sekka’s Gathering of Waka Poets (cat. 20), 79, 84 138, 139
of Ninsei (fig. 4), 27 Fans upon Waves (cat. 32), 102, 104 – 5 gofun (white pigment made from ground seashells), 25
by Kenzan Fenollosa, Ernest F. (1853 – 1908), 11 – 12, 20, 22, 34 gold leaf and pigment, 15, 17, 23, 25, 38, 61, 103, 147, 167
kawarake (disposable stoneware dishes) with seasonal floral motifs (cats. 75 – 100), 23, 27, 144, 164 – 69, 170 – 99. See Go-Mizunoo, Emperor (1596 – 1680; r. 1611 – 29), 14, 64
designs (cat. 81), 27, 167, 178 also specific flowers and flowering trees Gonse, Louis (1846 – 1921), 34
mizusashi (water jar) with pine trees (cat. 69), 147, 158 naturalistic rendering of, 167 – 68, 169 Go-Shirakawa, Retired Emperor (r. 1073 – 86), 47

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