Page 217 - Designing_Nature_The_Rinpa_Aesthetic_in_Japanese_Art Metropolitan Museum PUB

Kōrin’s two-panel screen on, reproduced by Hōitsu in V Kōrin Painting Manual (Kōrin gafu), 32 – 33
One Hundred Paintings by Kōrin (Kōrin hyakuzu) vases: A New Selection of One Hundred Paintings by Kōrin (Kōrin
(cat. 18), 78 – 79, 82 cloisonné (cats. 96, 97, 99), 35, 41n.64, 169, 196, 197 shinsen hyakuzu), 103
Koson’s painting of (cat. 19), 79, 83 metal (fig. 12), 39, 39 One Hundred Newly Selected Designs by Kōrin (Kōrin shinsen
man’s informal robe with (cat. 23), 79, 87 vegetables, 166, 174–75 hyakuzu), design for writing box from (cat. 6), 28, 47, 55
Monk Sosei and Ariwara no Narihara, from Kōetsu Edition by Sekka. See Flowers of a Hundred Worlds (Momoyogusa);
of the Thirty-six Poetic Immortals (Kōetsu sanjūrokkasen) W Thousand Grasses, A (Chigusa)
(cat. 17), 78, 80–81 waka (court poetry), 33, 37, 60, 61, 76, 78, 128, 131 woodblock-print medium, 35, 47
Sekka’s Gathering of Waka Poets (cat. 20), 79, 84 Nobutada’s poetry screen (waka byōbu): six poems woodcutter iconography, 45 – 47, 54
Thousand Grasses, A (Chigusa), 36 – 37, 41n.65 by women poets (cat. 14), 63, 70–71 writing boxes (suzuri-bako):
“Illustrated Handscroll” (Emakimono) from (fig. 8), 36, 37 Poetic Immortals (kasen) and, 76 – 78, 91. See also design for, from One Hundred Newly Selected Designs
“Three Evenings” (Sanseki) from (fig. 7), 36, 37 Thirty-six Poetic Immortals by Kōrin (Kōrin shinsen hyakuzu) by Ikeda Koson
“Windswept Pines by the Shore” (Sonare matsu) from Sekka’s “Three Evenings” (Sanseki), from A Thousand (cat. 6), 28, 47, 55
(cat. 67), 36, 147, 157 Grasses (Chigusa) (fig. 7), 36, 37 with woodcutter, in style of Hon’ami Kōetsu (cat. 5), 28,
Three Brushes of Kan’ei, 64 Wakao Toshisada (b. 1932), “chopping-board” platter with 45, 54
Three Friends of Winter, 147 cranes flying across the sun (cat. 59), 39, 131, 143
Tiger and Bamboo (cat. 25), 90, 93 Waley, Arthur, 60 – 61 Y
tigers, 90, 92, 93 warblers, bush, 128 Yamada Jōkasai (1811 – 1879), inrō with goose flying across the
Tōkōsha Yonekazu (active early 19th century), 59 Watanabe Shikō (1683 – 1755), 29 – 30 full moon, after design by Seisen’in (cat. 58), 132, 142
Tokugawa shoguns, 64 Flowering Plants (fig. 6), 30, 30 Yamamoto Soken (active ca. 1683 – 1706), 23, 30, 44n.39
Tokyo National Museum, 41n.54 water jars (mizusashi): Yamanaka and Company, 21, 40n.26
Tosa Mitsumochi (1496 – ca. 1559), 78 with pine trees by Kenzan (cat. 69), 147, 158 Yamane Yūzō, 17, 26
Tosa Mitsunobu (1434 – 1525), Bamboo in the Four Seasons with stylized waves by Nakamura (cat. 45), 27, 103, 124 yamato-e (“Japanese-style paintings”), 12, 13, 16, 23, 34, 38, 39
attributed to (fig. 1), 12–13, 13 – 14 waves, stylized (cats. 32 – 48), 27, 36, 38, 39, 100 – 103, 104–127, Yatsuhashi, theme of irises at, 36
Tosa Mitsuoki (1617 – 1691), 14 146, 148–49 from Furuya’s Kōrin Patterns (Kōrin moyō) (cat. 86), 183
Tosa school, 13 – 14, 31, 33, 44, 146 Weld, Charles Goddard (1857 – 1911), 20 Kōrin’s Irises at Yatsuhashi (Eight Bridges) (Yatsuhashi zu
Toyama Mitsuzane (1756 – 1821), Moon and Arrowroot Vine wisteria, 65 byōbu) (cat. 84), 23 – 26, 40 – 41nn.26 – 32, 167, 168, 180–81
(cat. 89), 32, 188 woodblock-printed books, 33 Yōgen-in, Kyoto, 147
trees (cats. 60 – 74), 144 – 47, 148–63 on botanical subjects, 144, 168 Yokoyama Taikan (1868 – 1958), 35
Tsunayoshi, Tokugawa shogun (r. 1680 – 1709), 22 Kōetsu Edition of the Thirty-six Poetic Immortals (Kōetsu
Tsuruzawa Tanzan (1655 – 1729), 30 sanjūrokkasen) (cat. 17), 78, 80–81 Z
“Kōrin style” disseminated through, 29, 35 – 38, 90. See also Zeami Motokiyo (1363 – 1443), Shiga, 45
U Kōrin Patterns (Kōrin moyō); Kōrin’s Painting Style (Kōrin Zen, 64, 88, 90
ukiyo-e, 31, 35 gashiki); One Hundred Paintings by Kōrin (Kōrin hyakuzu) Zeshin. See Shibata Zeshin

P h oto gra P h Credi ts

The Metropolitan Museum of Art endeavors to respect copy- Additional credits: © Fujita Kyōhei (cat. 74); © Monden
right in a manner consistent with its nonprofit educational Kōgyoku (cat. 47); © Nakagawa Mamoru (fig. 12);
mission. If you believe any material has been included in © Nakamura Takuo (cat. 45); © Okada Yūji (cat. 46);
this publication improperly, please contact the Editorial © Sakiyama Takayuki (cat. 48)
Department.
Photographs of works in the Metropolitan Museum’s collection
are by The Photograph Studio, The Metropolitan Museum of
Art; new photography is by Oi-Cheong Lee, who also photo-
graphed most of the loaned works with the following excep-
tions: Mary and Jackson Burke Collection of Japanese Art,
photography by Bruce Schwarz, The Photography Studio,
The Metropolitan Museum of Art (cats. 1, 2, 3, 19, 26, 38,
59, 61, 65, 82); T. Richard Fishbein and Estelle P. Bender
Collection, photography by John Bigelow Taylor (cats. 30, 53,
66, 80, 89); Freer Gallery of Art, Washington, D. C. (fig. 2);
Gitter-Yelen Collection (cat. 88); Gitter-Yelen Collection,
photography by Kahori Matsumoto for Kaikodo, New York
(cats. 25, 28); Nezu Museum, Tokyo (fig. 3); Saint Louis Art
Museum (fig. 11); John C. Weber Collection, photography by
John Bigelow Taylor (cats. 23, 40, 57, 85); Yale University Art
Gallery, New Haven (cat. 14).

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