Page 215 - Designing_Nature_The_Rinpa_Aesthetic_in_Japanese_Art Metropolitan Museum PUB

inrō (small compartmented box) Murasaki Shikibu (d. 1014?), 45 textile design and, 22, 23, 28 – 29, 35 – 36
with blossoming plum tree by Yōyūsai, after design Muromachi period (1392 – 1573), 13, 24 Tiger and Bamboo (cat. 25), 90, 93
by Hōitsu (cat. 73), 147, 162 Museum of Fine Arts, Boston, 20 Waves at Matsushima, 26, 41n.38
with goose flying across the full moon by Jōkasai, Wind and Thunder Gods, 26, 41n.38
after design by Seisen’in (cat. 58), 132, 142 N woodblock-printed publications recording designs of, 29,
with stylized waves by Zeshin, after design by Kōrin Nakagawa Mamoru (b. 1947), Clearing of the Evening Sky 35 – 38, 41n.43, 90. See also Kōrin Patterns (Kōrin moyō);
(cat. 39), 102 – 3, 116 (Sekisei) (fig. 12), 39, 39 Kōrin’s Painting Style (Kōrin gashiki); One Hundred
“Kōrin patterns” and, 27, 28 Nakamura Hōchū (d. 1819), 32 – 33, 167 Paintings by Kōrin (Kōrin hyakuzu)
maki-e, 23, 132, 142, 147 Flowers of the Twelve Months (cat. 87), 32, 167, 184–85 Kōrin Painting Manual (Kōrin gafu), 32 – 33
tea cabinet with bamboo by Kamisaka Sekka (cat. 72), Kōrin Painting Manual (Kōrin gafu), 32 – 33 A New Selection of One Hundred Paintings by Kōrin
147, 161 Nakamura Kuranosuke, 30 (Kōrin shinsen hyakuzu), 103
woodcutter motif in, 45 – 47, 55 Nakamura Takuo (b. 1945), water jar (mizusashi) with stylized One Hundred Newly Selected Designs by Kōrin (Kōrin
writing boxes (suzuri-bako) waves (cat. 45), 27, 103, 124 shinsen hyakuzu), design for writing box from
design for, from One Hundred Newly Selected Designs Nakano Kimei (1834 – 1892), One Hundred Paintings of the (cat. 6), 28, 47, 55
by Kōrin (Kōrin shinsen hyakuzu) by Ikeda Koson Ogata Lineage (Ogata-ryū hyakuzu) (cat. 22), 79, 86 Ogura Collection of a Hundred Poems by a Hundred Poets, The
(cat. 6), 28, 47, 55 Narihira. See Ariwara no Narihira (Ogura hyakunin isshu), 78
with woodcutter, in style of Hon’ami Kōetsu (cat. 5), naturalistic depiction, 31, 33, 130, 146, 167 – 68, 169 Ōho. See Sakai Ōho
28, 45, 54 New Selection of One Hundred Paintings by Kōrin, A (Kōrin Okada Yūji (b. 1948), footed tray with stylized waves (cat. 46),
lilies, 196 shinsen hyakuzu), 103 39, 103, 125
Lin Hejing (J: Rinnasei; 967 – 1028), portrait of (cat. 28), 91, 96 Nihonga (modern “Japanese-style” painting) movement, 32, Okakura Kakuzō, also called Tenshin (1862 – 1912), 34
Literati painters, 147 33, 34 – 35, 36, 39 Ōnakatomi no Yorimoto (d. 958), 156
Lotus Blossoms Floating on a Stream (cat. 37), 102, 112–13 Nijō family, 23, 30 Ōnakatomi no Yoshinobu (921 – 991), 68
lotus pads and flowers, 15, 102, 112–13, 166, 171 Nishi-Honganji, Kyoto, 23 One Hundred Newly Selected Designs by Kōrin (Kōrin shinsen
Nobutada. See Konoe Nobutada hyakuzu), design for writing box from (cat. 6), 28, 47, 55
M Noh theater, 22, 24, 45 One Hundred Paintings by Kōrin (Kōrin hyakuzu), 17, 26, 27, 31
machi-eshi (“townsman painter”), 14 Nonomura Ninsei (active ca. 1646 – 94), 27, 166 – 67 Buddhist and Daoist sages from (cat. 27), 90, 95
machishū (wealthy merchants), 14, 42 incense burner with flowers of four seasons by workshop “Ducks in Flight” from (cat. 51), 130, 135
Maeda Seison (1885 – 1977), 34, 41n.60 of (fig. 4), 27 two-panel screen with Thirty-six Poetic Immortals from
Maeda Toshitsune (1593 – 1658), 20 (cat. 18), 78 – 79, 82
maki-e lacquerware, 23, 132, 142, 147 O One Hundred Paintings of the Ogata Lineage (Ogata-ryū
maple trees, 102, 146, 153 obi (sash) with stylized waves (cat. 44), 103, 123 hyakuzu) (cat. 22), 79, 86
Maruyama Ōkyo (1733 – 1795), 31 Ogata Kenzan (1663 – 1743), 21, 22, 23, 27, 28, 31, 131 One Hundred Poems by One Hundred Poets (Hyakunin isshu)
Maruyama-Shijō school, 31, 33, 36, 168 Autumn Ivy (cat. 83), 167, 179 (cat. 76), 166, 171
Marvelous Traces of Daoist Immortals and Buddhist Masters ceramic tiles with pine motifs (cat. 66), 147, 156 One Hundred Poets, 76, 78
(Ch: Xianfo qizong; J: Senbutsu kisō), 88 kawarake (disposable stoneware dishes) with seasonal Ono no Komachi (ca. 825 – ca. 900), 71, 76
Masuda Don’o, 40n.8 designs (cat. 81), 27, 167, 178 Ōson’s Drawing Manual (Ōson gafu), 32, 168
Matsushima (Pine Islands), 36 mizusashi (water jar) with pine trees (cat. 69), 147, 158 Otomo no Kuronushi (active 885 – 897), 45
seascapes by followers of Sōtatsu related to (cats. 32, 33), Plum Tree and Hollyhocks (cat. 61), 146, 150–51, 167
100 – 102, 104–107 poem-paintings inspired by Fujiwara no Teika’s Birds and P
Sōtatsu’s Waves at Matsushima (fig. 2), 17, 18–19, 100 Flowers of the Twelve Months (Teika ei jūnikagetsu kachō papermaking, 36
Mayer, Henry (1868 – 1953), 35, 41n.64 waka), from Gleanings of Foolish Grasses (Shūigusō) Paris, Exposition Universelle in (1900), 35, 41n.63
medicinal plants, 144 (cats. 54, 55), 131, 138, 139 Patterns Drawn from the Chrysanthemum Well (Hinagata kiku
Meiji emperor, 35, 41n.64 square dish with spring flowers (cat. 82), 167, 178 no i), 44n.43
Meiji period (1868 – 1912), 169 Ogata Kōrin (1658 – 1716), 11, 17, 20, 21, 22 – 27, 31, 32, 33, 35, 38, paulownia trees, 64, 132
Rinpa revival in, 14, 35, 102 – 3 39, 100, 130, 131 peonies, mountain, 95
textile pattern books of, 35 – 38 art name “Dōsū” adopted by, 102 Persimmon Tree (cat. 63), 32, 146, 152
metalwork, 34 ceramics and, 23, 27 persimmon trees, 32, 146, 152
Nakagawa’s Clearing of the Evening Sky (Sekisei) (fig. 12), 39, 39 Cranes, Pines, and Bamboo (cat. 52), 130, 136 pines, 29, 36, 130, 136, 137, 144 – 47, 148–49, 156–59
miscanthus (susuki), 28 Daoist sages and Buddhist masters depicted by pinks (tokonatsu or nadeshiko), 131, 139, 139
Mitsuhiro. See Karasumaru Mitsuhiro Hotei (cat. 26), 90, 94 plovers (chidori), 28, 128, 131, 132, 140, 141
mizusashi. See water jars reproduced in Hōitsu’s One Hundred Paintings by Plum Tree and Hollyhocks (cat. 61), 146, 150–51
mokkotsu (“boneless” painting, without ink outlines), 17 – 18, Kōrin (Kōrin hyakuzu) (cat. 27), 90, 95 plum trees and blossoms, 146, 147, 150–51, 162, 163
31, 32, 34 reproduced in Minwa’s Kōrin’s Painting Style (Kōrin poem cards. See shikishi
Mokuan, 90 gashiki) (cat. 29), 90 – 91, 97 poem scrolls, 62
Momoyama period (1573 – 1615), 13, 17, 44, 62 family background and training of, 22 – 23, 41nn.35, 39 Poetic Immortals (kasen), 76 – 78, 91. See also Thirty-six Poetic
calligraphy in, 62 inrō with stylized waves by Zeshin after design by Immortals
Monden Kōgyoku (b. 1916), Renewal (Ishin), from Waves (cat. 39), 102 – 3, 116 Lin Hejing (J: Rinnasei; 967 – 1028), portrait of (cat. 28),
series (cat. 47), 103, 126 Irises (Kakitsubata zu byōbu) (fig. 3), 23, 24 – 25, 24–25, 30 91, 96
monochrome ink paintings, 88 – 90, 130, 147 Irises at Yatsuhashi (Eight Bridges) (Yatsuhashi zu byōbu) One Hundred Poets, 76, 78
Moon and Arrowroot Vine (cat. 89), 32, 168, 188 (cat. 84), 23 – 26, 40 – 41nn.26 – 32, 167, 168, 180–81 Six Poetic Immortals (Rokkasen), 76 – 78
Moon and Autumn Grasses (cat. 77), 166, 172–73 lacquerware design and, 28, 132 Sekka’s rendition of, from Flowers of a Hundred Worlds
moon imagery, 142, 172–73, 188, 198–99 most Japanese of Japanese art associated with, 34 (Momoyogusa) (cat. 21), 79, 85
Moore, Marianne, 168 paintings by followers of, 29 – 30 poetry, 32. See also waka
morning glories, 32, 168, 190–95 Poetic Immortals depicted by “season words” (kigo) in, 128
Morning Glories (by Kiitsu; cat. 91), 32, 168, 190–91 Lin Hejing (J: Rinnasei) (cat. 28), 91, 96 poets, imaginary portraits of (cats. 17 – 23), 76 – 79, 80–87
Morning Glories (by Kiitsu, with poem and calligraphy by Thirty-six Poetic Immortals (cat. 18), 78 – 79, 82 poppies, 166, 176, 177, 197
Bōsai; cat. 92), 32, 168, 192 Red and White Plum Blossoms, 146, 167 Poppies (attr. to Sōsetsu; cat. 79), 166, 176
Morning Glories (by Sōri; cat. 95), 33, 194–95 Red and White Plum Trees, 26 – 27 Poppies (Kiitsu; cat. 80), 166, 177
mōrōtai (“vagueness style”), 35 Rough Waves (Hatō zu byōbu) (cat. 34), 26, 37 – 38, 41n.37, Post-Impressionism, 35
Mount Utsu, Suruga province, 16 102, 108–9 Priest, Alan, 40n.26
Mu Qi (ca. 1200 – 1270), 90 Sketch of Three Deer (fig. 5), 28, 29, 41n.42 puppies, 37, 38, 193
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