Page 452 - Oriental Series Japan and China, Brinkly
P. 452
CHINA
on the ware itself. Among the latter are figures
of the Virgin Mary, of St. Paul, of St. John, of
the Twelve Apostles, and so forth. These occur
on specimens in the collections of the Duke of
Normandy (1363), of Charles V. (1380), and of the
Duke of Berry (1416). Now it is known that from
the sixth century Nestorian missionaries carried on
the work of propagandism in China that from the
;
beginning of the fourteenth century the field which
they had hitherto monopolised was shared by the
Minorites and that both fell with the fall of the
;
Yuan dynasty of Mongols (1368), not to be replaced
until the rise of the Portuguese settlement at Macao,
in 1 5 1 7. It might, therefore, be supposed that porce-
lain such as that described in the three collections
mentioned above, owed its decorative designs to the
inspiration of Roman Catholic priests residing in
China. But it is almost certain that the Chinese
potters of the Yuan era had not carried the art of
painting in blue sous couverte to a point such as would
be indicated by the representation of saintly per-
sonages. The student is therefore constrained to think
that the examples adduced by M. du Sartel were of
mother-of-pearl, not of keramic ware. The reader
can judge for himself:
INVENTAIRE DU Due DE NORMANDIE (1363).
Un tableau de pourcellaine quarre, de plusieurs pieces, et
au milieu 1'yniage de Nostre-Dame, garny d'argent, dore a
ouvrage d'oultremer.
INVENTAIRE DE CHARLES V (1380).
Un tableau quarre de pourcelaine ou d'un cote est 1'yniage
de Nostre-Dame en un esmail d'azur et plusieurs autres
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