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Gasch-Tomás has recently demonstrated that only a small quantity of the porcelain   114   Published in John Alexander Pope, Chinese
            that reached New Spain was subsequently loaded onto the Spanish Treasure Fleet at   Porcelains from the Ardebil Shrine, second edition,
                                                                                           London,  1981;  and  Krahl  and  Ayers,  1986,  Vol.
            Veracruz and shipped via the Atlantic to Seville in Spain in the late sixteenth and early   II; respectively.
            seventeenth centuries. Maritime and land archaeological finds in the Caribbean and   115   The earliest documentary reference to the existence
                                                                                           of  embrechados in Portugal dates to the reign of
            Spain provide material evidence of the variety and quality of the porcelain shipped to   Sebastian I. In about 1575, the Valencian traveller
                                                                                           Bartholomé de Villalba y Estaña describes a fountain
            Seville at this time. Recent research has brought to light important new evidence from   decorated  with  embrechados  as  ‘…  From  there
            the shipwreck San Pedro, which sank off the Island of Bermuda in 1595, while sailing   went up the pilgrim to Our Lady of Pena, home of
                                                                                           geronimos friars, very high house in which are a
            from Cartagena (present-day Colombia) to Spain.  The porcelain recovered, all blue-  dozen of friars … They also have a fountain, which
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                                                                                           may well be among the curious things of the house,
            and-white and broken in pieces, formed part of about 20 bowls with sketchily painted   very  orbate  artificially  with  shells,  scallop  shells,
            chi-dragons (Fig. 3.1.2.3) and of a plate decorated with a phoenix in profile within a   snails, pebbles that shine and a hundred other
                                                                                           things’. The orgininal text in Spanish, translated by
            border of alternating peach sprays and auspicious symbols, similar to those found in   the author, reads: ‘…De ahi se subio el Peregrino
                                                                                           a Nuestra Señora de la Pena, casa de frailes
            the shipwreck San Felipe (1576) and at Lagos in southern Portugal (Fig. 3.1.2.4), as   geronimos, casa muy alta en que hay una dozena de
            well as of finely potted Kraak plates with white cavettos and continuous naturalistic   religiosos……Tienen además una fuente, que puede
                                                                                           muy bien entrar entre las cosas curiosas de la casa,
            borders (Fig. 3.1.2.5).  These finds demonstrate that by the end of the sixteenth   muy adornada artificialmente con conchas, veneras,
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                                                                                           caracoles, piedrecillas que luzen y otras cien cosas’.
            century, when the Crowns of Spain and Portugal were united, a small quantity of   This  work  El  peregrino  curioso  y  grandezas  de
            various types of fine and coarser blue-and-white porcelain would have reached Spain   España, por Bartholomé de Villalba y Estaña, donzel
                                                                                           vecino de Xérica was published in two volumes by
            not only via Lisbon but also via Seville, where they were distributed to the court of   the Sociedad de Bibliófilos Españoles in Madrid,
                                                                                           between 1886 and 1889. For the most recent and
            Madrid and the rest of the country.                                            comprehensive study of Portuguese embrechados,
                 It seems clear that a considerable amount of the porcelain imported at the time   see  André  Lourenço  e  Silva,  Conservação  e
                                                                                           Valorização do Património. Os Embrechados do Paço
            was destined to the royal court. A posthumous inventory taken between 1598 and 1607   das Alcáçovas, Lisbon, 2012. For the 1575 citation,
                                                                                           see Ibid., p. 65.
            of Philip II’s possessions prior to their dispersal lists over 3,000 pieces of porcelain,   116   The royal Palace of Alcáçova was inhabited by
            including many blue-and-white pieces, under the heading ‘Porcelains, Glazed Pottery,   almost all of the Portuguese monarchs until the end                        Fig. 3.1.2.6  Kinrande wine ewer in
                                                                                           of the 1500s. The University of Coimbra purchased
            Búcaros, Pottery and Vidriados (Glazes)’.  According to the inventory, 3,181 pieces   this Lisbon royal palace for 30,000 cruzados (which                               the form of a dancing girl
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                                                                                           included 15,000 cruzados lent to the Crown in 1584)                                 Jingdezhen kilns, Jiangxi province
            of porcelain were deposited in a large square room, the so-called pieza de la torre (also   during the time António de Mendoça was rector                  Ming dynasty, probably Wanli reign (1573–1620)
            called Tower Room II or New Tower), located in the south wing of the Alcázar. During   (1594–1597). For a discussion on the embrechados in                                     Height: 31.8cm
                                                                                           the chapel, sacristy and garden walls of the Palace,
            the reign of Charles V the Alcázar was converted from a medieval residence into a royal   see Ibid., pp. 103–194.                                                        British Museum, London
                                                                                         117   João de Mascarenhas was said to be one of the                                   (museum no. PDF.704, AN382424)
            palace, but it was during the subsequent reign of Philip II, after he moved his court   bravest generals of the Wars of Restoration (ended
            to Madrid in 1561, that the Alcázar became the principal residence of the Spanish   1668), where Portugal regained its independence
                                                                                           from Spanish rule, and was a member of the noblest
            Habsburgs until its destruction in 1734.  An inventory taken in 1603 lists only   families of Portugal. The Palace was opened in 1671
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                                                                                           or 1672. It was only enlarged and transformed into
            eleven pieces of porcelain kept in the so-called Casa del Tesoro (Treasury House), which   a residence after the great earthquake of 1755. For              Medieval Europe,  Medieval Archaeology, Vol. 16,   Krahe has noted, the ‘coloured’ bowls and ewers referred to polychrome porcelain,
            was located outside the main building of the Alcázar.  An addendum to the inventory,   more information, see José Cassiano Neves, Jardins                   1973, pp. 63–78; Jaume Coll Conesa, ‘Documented   which could have been wucai (five colour) porcelain from the kilns of Jingdezhen or
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                                                                                           e  Palácio  dos  Marqueses  de  Fronteira,  second
                                                                                                                                                                        Influence of China on Maiolica in Spain and New
            dated 1608, mentions that 34 pieces of porcelain were added to the collection, but the   edition, Lisbon, 1954. Although today the palace is                Finds of Chinese Ceramics with Dates to the   porcelain with overglaze enamels from the kilns of Zhangzhou (Appendix 2). Material
                                                                                           a National Monument, it  remains privately owned                             Sixteenth Century’, in Stacey Pierson (ed.), Transfer:
            precise location of them is not specified. Two further pieces of porcelain are listed in   by  the  Fronteira  family.  Shallow  blue-and-white             the Influence of China on World Ceramics, Colloquies   evidence of the Spanish trade in both wucai and Zhangzhou porcelains at the turn of
            this same addendum. 148                                                        bowls, dating to the early seventeenth century, with                         on Art & Archaeology in Asia, No. 24, 2007,    the sixteenth century is provided by finds from the San Diego shipwreck, which sank
                                                                                           a  similar  spiral  design  to  that  seen  on  examples
                                                                                                                                                                        pp. 123–127; and Krahe, 2014, Vol. I, pp. 81 and 173.
                 Most of the porcelain in Philip II’s posthumous inventory, which as noted above   salvaged from a few shipwrecks, including the Dutch               121   From a letter dated 1314 we learn that the gifts   near the Phillipines in 1600 (Appendix 3). These finds will be discussed in section
                                                                                           East Indiaman, the Witte Leeuw (1613), are inlaid on                         given by James II, King of Aragón (r. 1291–1327), to
            began to be taken in 1598, was tableware. The porcelain included plates (platos), bowls   the archway and pediment of the frontal façade of                 his third wife Marie of Cyprus (1273–1319), and his   3.3.1.1 of this Chapter.
            (escudillas), larger bowls (albornias), sauceboats (salserillas), ewers (aguamaniles), jars   the House of Water as well as on the Fountain of              children for Christmas, included ‘two large bowls of   The inventory also lists a few pieces of porcelain that appear to have had both
                                                                                           Carranquina. Vinhais and Welsh, 2008/2, pp. 53–55,
                                                                                                                                                                        true porcelain’. Another piece is listed in the will of
            (ollas,  duernos,  tinajas or  calabazas), bottles (garrafas), and salt cellars.  A single   figs. 35–36; Pinto de Matos, 2011, p. 138, fig. 16; and        Jeanne d’Evreux, Queen of Navarre, as being made   practical and ornamental functions. A few of them, as shown by Shulsky, seem to
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                                                                                           Canepa, 2012/1, pp. 264–265.                                                 of ‘a stone called porcelain’. Cited in Coll Conesa,
            entry of an inventory of 1602 lists 912 plates ‘some gilded and coloured, and the rest   118   I am grateful to Jorge Welsh and Luísa Vinhais, Jorge        2007, p. 124; and Krahe, 2014, Vol. I, pp. 81-2.  match extant porcelain pieces from public and private collections as well as from
            blue and white, the size of a plate, appraised at three reales each’.  Another lists 660   Welsh London-Lisbon, for providing me with images             122   The Catholic monarchs also received some   shipwrecks.  These include ‘Two figures of Chinese women, that are ewers, gilded
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                                                                                           of the embrechados of the Palace of the Marquises
                                                                                                                                                                        pieces of porcelain as diplomatic gifts from the
            bowls ‘the same size as the usual ones, some a little smaller, some gilded, some blue-  of  Fronteira  for  the  paper  ‘Ming  Porcelain  in  17th          Venetian Ambassador. For a brief discussion on   and coloured’, which most probably referred to Kinrande wine ewers in the form of
                                                                                           Century Portuguese Architecture: Santos Palace and                           the diplomatic and commercial relations between
            and-white, others coloured, appraised at four reales each’.  A group of 264 escudillas   Palace of the Marquesses of Fronteira’, presented at               the Venetian Doges and the Crown of Aragon and   dancing girls made during the Jiajing or Wanli reigns (Fig. 3.1.2.6).  Another entry
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            ‘some gilded and coloured, and some blue and white’, is also appraised at four reales   the conference Ceramics on Show: Public and Private                 some of these porcelain gifts, see Krahe, 2014, Vol. I,     lists ‘A figure of a Chinese woman white and gilded’, which as noted by Krahe, was
                                                                                           Displays held at the Victoria and Albert Museum,
                                                                                                                                                                        pp. 86–86.
            each.  Another entry lists 35 ewers ‘some gilded and green, some gilded and blue,   London on 24–25 September, 2010.                                     123   Archivo General de Simancas (Hereafter cited as   appraised at 20 reales, which is double the price of the two figures gilded and coloured
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                                                                                         119   Pinto de Matos, 2011, p. 129. A similar jar is in the                    AGS), Patronato Real, Legajo 30–6, 68. 1503–11. The
            and others coloured and blue and white, all with handles, spouts and lids, some smaller   collection of Augustus the Strong in Dresden. I                   original text in Spanish reads: ‘Un taçon de porcelana   together.  Another item is ‘a blue and white porcelain jug with a long neck and an
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            than the rest, all of different shapes, some without the lids, appraised at nine reales   am grateful to my PhD supervisor, Professor Dr.                   blanca con un pie abierto de lima e filigrana de ley   elephant head as a spout, appraised at six reales’.  This certainly refers to an elephant-
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                                                                                           Christiaan J.A. Jörg, for bringing this porcelain piece
                                                                                                                                                                        de veynte e dos quilates peso con el oro un marco
            each’.  It seems likely that the ‘gilded and coloured’ plates and bowls, as well as the   to my attention.                                                  y tres onças y quarto ochavas’. Published in Krahe,   shaped kendi from the group of Kraak zoomorphic kendi first made at private kilns
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                                                                                         120   For a discussion and images of these archaeological                      2014, Vol. I, p. 84, note 304; and Vol. II, Document 5,
            ‘gilded and and green’ and ‘gilded and blue’ ewers referred to Kinrande porcelain. As   finds, see David Waterhouse, ‘Chinese Porcelain in                  p. 25. Cited in Canepa, 2014/1, p. 24.  of Jingdezhen during the Wanli reign discussed earlier.  An extant example bearing
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            150                                                                          Silk, Porcelain and Lacquer                                                                Trade in Chinese Porcelain                                                                 151
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