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Fig. 3.2.2.21  Shard of a blue-and-white saucer
                         dish from the shipwreck Nuestra Señora de la
                                  Limpia y Pura Concepción (1641)
                                 Jingdezhen kilns, Jiangxi province
                           Ming dynasty, Chongzhen reign (1628 –1644)
                              Oficina Nacional de Patrimonio Cultural
                                    Subacuático, Santo Domingo

                           Fig. 3.2.2.22  Blanc de chine Buddhist Lion
                             incense stick holder from the shipwreck
                                   Nuestra Señora de la Limpia y
                                       Pura Concepción (1641)
                                     Dehua kilns, Fujian province
                           Ming dynasty, Chongzhen reign (1628–1644)
                              Oficina Nacional de Patrimonio Cultural
                                    Subacuático, Santo Domingo
 Fig. 3.1.2.19  Still Life with an Ebony and
 Marquetry Table Cabinet
 Oil on canvas, 80cm x 94cm  Fig. 3.1.2.23  Shard of a Kraak dish excavated
 Antonio de Pereda (1611–1678),    at the Plaza de Oriente, Madrid
 signed and dated 1652           Jingdezhen kilns, Jiangxi province
 Hermitage Museum, St. Petersburg    Ming dynasty, Wanli reign (1573–1620), c.1600
 (inv. no. GE 327)      Museo Arqueológico Regional de la Comunidad
                                    de Madrid, Alcalá de Henares
 Fig. 3.1.2.20  Transitional style blue-and-white
 bell-shaped cup from the shipwreck
 Nuestra Señora de la Limpia y
 Pura Concepción (1641)
 Jingdezhen kilns, Jiangxi province
 Ming dynasty, Chongzhen reign (1628–1644)
 Oficina Nacional de Patrimonio Cultural
 Subacuático, Santo Domingo
 shaped cups alongside utensils and products associated with the preparation of hot   of 1641, and the 1644 inventory of the Marquis of Caldereita, indicate that such
 chocolate, suggests that this particular type of cup was used for the consumption of   cups were imported into Spain from at least the late 1630s. Based on these dates,
 2001, Appendix A, p. 56. Cited in Canepa, 2014/1,    van Valkenborch and his brother, Martin, worked
 hot chocolate, a dining habit the Spanish elites of both the New World and Spain   p. 253, note 89.  as court painters for the Archduke Ernest of Austria   as well as on a VOC letter dated 1634 discussed in section 3.4.1.2 of this Chapter,
 acquired from the Mexicas, the indigenous people that ruled the Aztec Empire, in   187   Published in Hermann Neumann, The Munich   (1553–1595), Governor of the Southern Netherlands   one can postulate that the Wanli shipwreck sank at a slightly later date, probably in
 Residence and Treasury, Munich, 2001, p. 123; and
                          from 1594 to 1595, and later for Emperor Matthias
 the early sixteenth century. 223  The use of porcelain cups for chocolate in Spain in   Canepa, 2014/1, p. 28, fig. 12.  (r. 1612–1619), successor and brother of Rudolf II.   c.1630–1635. The find from the Nuestra Señora de la Limpia y Pura Concepción of a
 188   Maximilian I, who belonged to the House of Austria   Mentioned and illustrated in Canepa, 2014/1, p. 29,
 the 1640s is further proved by an inventory taken in 1644 of the belongings of the   by birth, was the eldest son of William V and Renata   fig. 13 and p. 253, note 93.  finely potted blue-and-white jar of slender, ovoid form made of high quality porcelain
 Marquis of Caldereita, which mentions that ‘five small porcelain cups (pocitos) for   of Lorraine (1544–1602) to survive past infancy. His   191   Mentioned in Krahe, 2014, Vol. I, p. 120.  clay and decorated with a continuous narrative scene depicting a figure standing by a
                        192   AGP, Sección Administración General, Leg. 902.
 paternal grandmother was Archduchess Anna of
 chocolate’ alongside various other porcelains were kept in a pine sideboard.  The   Austria (1528–1590), the second daughter of Emperor   Inventory of Queen Margaret of Austria’s jewellery   horse in a landscape, and a downward leaf border below the rim, demonstrates that the
 224
 Ferdinand I and Anna of Bohemia and Hungary   and objects, 1612. Krahe, 2014, Vol. II, Appendix 2,
 find of 70 tall bell-shaped cups with handles decorated with river scenes, some of them   (1503–1547). His maternal great-grandparents were   Document 23, pp. 64–74.   Spanish also imported porcelain decorated in a new painting style, the so-called High
 with inner rim borders of spiraling trendils interspersed by a flower, among the cargo   King Christian II of Denmark and Norway (r. 1513–  193   Krahe, 2014, Vol. I, pp. 120–121; and Vol. II,    Transitional, which became well established at the private kilns of Jingdezhen during
                          Appendix  2,  Document 23, pp.  68 and  73.  The
 1523) and Isabella of Austria (1501–1526), the second
 of the Wanli shipwreck (c.1625), 225  similar to those recovered from the wreck site of   daughter of Philip I of Castile and Joanna of Castile   texts in Spanish read: ‘Tres porcelanas con pies y   the Chongzhen reign (Appendix 2).  Another interesting find from the wreck site is a
                                                                                          229
 and the sister of Emperor Charles V. Mentioned in   guarniciones  de  plata  para  server  el  caldo  en  la
 the Nuestra Señora de la Limpia y Pura Concepción, demonstrates that this type of   Canepa, 2014/1, p. 253, note 91.  mesa de su Magestad’; ‘Dos porcelanas grandes   small number of blue-and-white shards of saucer dishes decorated with a central floral
 blue-and-white tall bell-shaped cup decorated in the so-called Transitional style was   189   The  Kraak armorial dish is published in Friederike   para server sopa a la mesa de su majestad los dias   roundel encircled by radiating sprays of blossoming flowers, which resemble those
 Porzellansammlung
                          de pescado. La una mayor que la otra con un borde
 ostasiatische
 Ulrichs,
 Die
 purchased by both the Portuguese and Spanish.  The wreck site of the Nuestra Señora   der Wittelsbacher in der Residenz München,   en el vevedero’; and ‘Dos escudillas de porcelana de   made later in the early Kangxi reign (1662–1722) of the subsequent Qing dynasty
 226
 Munich, 2005, p. 10; and Renate Eikelmann (ed.),    la yndia para servicio de su majestad metidas en su
 de la Limpia y Pura Concepción also yielded a few other bell-shaped cups without   Die Wittelsbacher und das Reich der Mitte. 4000   caxa de madera cubierta de cuero negro’.   (Fig. 3.1.2.21). Besides blue-and-white porcelain, the finds include a few wine cups
 handles, but of slightly smaller size, each decorated with a continuous landscape scene   Jahre China und Bayern, Munich, 2009, pp. 48–49,   194   Krahe, 2014, Vol. I, p. 120.  with flared rims showing traces of floral overglaze enamel decoration on the outside,
                                                                                                                                 230
 kat. no. 5.
                        195   Mentioned in María del Carmen Simón Palmer,
 with two figures (one standing, the other seated) beside a fence (Fig. 3.1.2.20), similar   190   On several occasions Habsburg rulers stayed at   Alimentación y sus Circunstancias en el Real Alcázar   as well as a Blanc de chine Buddhist Lion incense stick holder made at private kilns
 the Residenz, for instance while en route to their   de Madrid, Madrid, 1982, p. 24; and Krahe, 2014, Vol.
 to 15 examples recovered from the Wanli shipwreck (c.1625). 227  Some bell-shaped cups   coronations as emperors in Frankfurt and while   I, p. 153.   of Dehua (Fig. 3.1.2.22), 231  which relates to finds made at both Jiabeishan kiln and
 recovered from both shipwrecks bear apochryphal Chenghua reign marks. These finds   travelling to the imperial city of Augsburg. Charles   196   Travel License, 22 April 1621. Cited in Magdalena de   Lingdou kiln in Xunzhong town (Appendix 2).  This Buddhist Lion demonstrates
                                                                                                     232
                          Lapuerta Montoya, ‘La corte y el arte’, in Martínez
 V and Ferdinand II (r. 1619–1637) were among them.
 brought the problem of the Wanli shipwreck’s dating to light. No precisely datable   See Wolfram Koeppe, ‘Pietre Dure North of the Alps’,   Millán and Visceglia, 2008, Vol. 3, p. 586 citation 8;   that the Spanish began acquiring Blanc de chine porcelain about ten years earlier than
 in Wolfman Koeppe and Annemaria Giusti (eds.), Art   and Krahe, 2014, Vol. I, p. 123.
 porcelains were recovered from this shipwreck, and no documentary records of the   at the Royal Court. Treasures in Pietre Dure from the   197   Only a very small number of Blanc de chine pieces   previously thought.
                                                                             233
 ship’s sinking were found. Therefore the  c.1625 was given by stylistic comparison   Palaces of Europe, New York, 2008, p. 58 and note   would have reached Europe at the time. The   In Madrid, the seat of the royal court since the reign of Philip II, a considerable
                          earliest archaeological evidence of Blanc de chine
 21. By the end of the sixteenth century porcelain was
 to porcelain finds from datable shipwrecks. 228  The Zurbarán painting dated 1640,   already incorporated in German paintings, such as   porcelain with painted decoration comes from the   number of Kraak and other blue-and-white shards dating to the late sixteenth and
 a banquet scene by Georg Flegel (1566–1638) and   unexcavated Portuguese shipwreck, the  Nossa
 the tall bell-shaped cups from the  Nuestra Señora de la Limpia y Pura Concepción   his Flemish master Lucas van Valkenborch. Lucas   Senhora dos Milagros, which sank off Cape Agulhas   early seventeenth centuries, were recently found during archaeological excavations at
 162   Silk, Porcelain and Lacquer    Trade in Chinese Porcelain                                                                 163
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