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smell  of fruit  (fol.  ziyv).  The best known  pages,  This tapestry  shows various characteristic scenes  countries  and not,  as has sometimes  been  claimed,
           however, are probably those illustrating  the  of wild men — mythical  figures who were  sup-  embodiments  of sexual desire. Andrea  Gattaro,
           pepper harvest  in Coilum  (fol. 84r), the  dog-  posed to have a human  body covered with  hair  a Venetian envoy  to the  Council of Basel in  1435,
           headed men  of the  Adaman  Islands  (fol. /6v),  except on the  face, hands,  feet, and sometimes  recorded that he saw there twenty-two dancers
           and the  headless men  (fol. i94v).  J.M.M.  elbows (for wild women,  also breasts). Wild  men  dressed as wild men  entertaining  the  guests of
                                                      were believed to be creatures halfway between  the council; the  fact that the  event  took place on
           4                                          men  and beasts, who lived roughly,  close to  Epiphany (6 January, the  day commemorating  the
                                                      nature,  but  often  according to familiar social and  coming of the  Magi) suggests  that they may have
           Strasbourg artist                          familial patterns.  On  several upper Rhenish  tap-  been meant  to symbolize the eastern world  from
           WILD  MEN   STORMING   A  CASTLE           estries of the fifteenth  century, they interact  with  which the  Wise Men had come (Concilium  Basi-
           AND  OTHER SCENES                          fabulous animals  as well as perform the every-  liense  1904,  5:413).
                                                      day tasks of raising their  children, working  the  The Greek writer  Herodotus,  in the fifth  cen-
           c. 1440                                    land, hunting,  and fighting.              tury B.C., provided the  earliest known  account of
           tapestry                                     The concept of the wild man  could be extended  wild men in his Histories  (iv,  191),  where  he
                    3
           •LOO x  490  (}9 /s  x  193 j              to embrace social outcasts and people living in  writes  of strange inhabitants  of Libya,  among
           references:  Concilium Basiliense 1904, 5:413;  exotic or "fabulous" countries.  For the  famous  them  "dog-headed  men and the headless that have
           Cavallo  1967, 47-49, no.i, pis. i-if;  Husband  1980,  Strasbourg preacher Geiler of Kaisersberg, "wild  their  eyes in their breasts, as the  Libyans say, and
           77-82, no.  14;  Vandenbroeck  19^7, 15, fig.  11;  Rapp  men" included anchorites, various types  of satyrs,  the wild men and women,  besides many  other
           and  Stucky-Schurer  1990, 314-318, no. 96
                                                      gypsies, pygmies,  and devils. The wild men in  the  creatures not  fabulous." The fabulous races were
           Museum  of fine  Arts, Boston              Boston tapestry  seem to be inhabitants of faraway  discussed by many authors in classical antiquity





















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