Page 176 - Art In The Age Of Exploration (Great Section on Chinese Art Ming Dynasty)
P. 176

The shield consists of two ovals of thick hide  passed into the Archduke's collection at Ambras  and so effective  that a saber would rebound or
            stitched together, its middle axis strengthened by  requires further research. It is generally pre-  stick so hard that it could not be freed.  They were
            an attached bar. The light, originally white  outer-  sumed that it entered the armory of the Austrian  light yet  solid and if hit, the arrow holes tended to
            side is almost free  from  decoration and the  eight  Hapsburgs through the  son-in-law of the Reyes  close up by themselves (Encyclopedia of Islam
            embedded lines along the  edge serve more as  Catolicos, Philip i of Austria, King of Castile and  1986,  "Lamt," 651-652).
            reinforcements than as decoration.  Interwoven  Granada  (1478—1506).  However, it is equally pos-  The Muslim nobility used adarga  such as
            tasseled strap ends for the handle bindings are  sible that it was included in a gift  of ten  objects  this richly embroidered  example for parade and
            missing. The entire inner surface was originally  from  "New Spain" presented in  1524 by  the  combat games on horseback (furusiyyah).  In
            dyed red but  is now bleached brown and decorated  Emperor Charles v (1500-1558) to his brother  the late fifteenth  century the  adarga  and richly
            with finely worked silk embroidery in red, blue,  Archduke Ferdinand i (1503-1564)^66811990, 7).  decorated swords of the  Boabdil type (cat. 56)
            yellow, green, black, and white.  The design  As early as the tenth century there is mention of  (Bruhn de Hoffmeyer  1982,  279) were favored  by
            divides the surface into four concentric bands  a sahib adarca  (inspector of adarga)  in Cordoba  the Christian  nobility, and the fashion spread
            which follow the  shape of the  shield.  The  remain-  (Madrid 1898,161) but the earliest  pictoral repre-  from  Spain to France, Italy, and even to England.
            ing fields are determined by the  trapezoidal  sentations of such shields are to be found  among  Several artists, including Hans Memling and
            slightly  off centered cushioned handles  which  the magnificent miniatures of the  "Cantigas de  Martin  Schongauer, depicted individuals carrying
            are also richly embellished.  The densely worked  Santa Maria" made for King Alfonso x of Castile  adarga  to lend an exotic flair to religious depic-
                                                                 m
            design contains arabesques, stars, and flowers.  (1221-1284)  which Muslim warriors are  tions  (Nickel  1958,  98, n.  182;  Buttin  1960,  407).
            Abstract trilobate lilies and plaited lines on the  depicted protecting themselves with heart shaped  The use of such a shield by Hernan Cortes  (1519-
            outer border are juxtaposed against an Arabic  adargas.  During the fourteenth century, the  form  1523) and his conquistadors to conquer the Aztecs
            inscription in a stylized  Kufic script.  Inscribed on  of the  adarga  changed from  a simple heart shape  has also been documented  (Nickel 1958). Accord-
            the second concentric band is ''Allah" in  stylized  to two ellipses with the longer  sides overlapping.  ing to the comments  "x de iste fassesson" in the
            Kufic  script, while the cartouche at the top of the  Such shields were introduced into Spain by the  pictoral inventory of Charles v (Inventario Illumi-
            handle repeats 'Allah the Living One" three  Muslims.  The word adarga  comes from  the Arabic  nado), the Emperor owned ten  adarga (Buttin
            times.                                     al-daraq which is also the  origin of the English  1960,  447) and until the  devastating fire  of  1884
             Only one other  adarga  of this quality  nd  from  word targe and the French adargne. Islamic  there were 40 in the  Real Armeria in Madrid.
            this period has been preserved  (Real Armeria,  accounts of the Middle Ages mention  that North  Most, including those remaining (087-095, 097-
            Madrid. The Vienna adarga  is recorded in  the  Africa was famous for shields made from  the  skin  0106), are late Spanish works sometimes  deco-
            1596 inventory  of Ferdinand n of Tyrol (1529-  of the  Lamt (the orynx of the  Sahara) and that  rated on the inside with feathers, such as one
            1595)  at  Schloss Ambras  (RK Ambras, Reg 5556  these were made by a Berber tribe, also called  made for Philip n  (088). Indeed, the  adarga  con-
            fol.  346v) which reads "Ain Tiirggische tartsche,  Lamt, whose menfolk like the Toureg wore the  tinued to be used by the nobility in Spain for
            auswendig von weiszen, innwendig von rottem  veil. The ninth century geographer Ya'qiibi notes  combat games—the "juejos de caras" and "alan-
            leder, darauf von allerlei gefarbten seiden  Tiirg-  that these shields which were exported to Spain  cias"—until the i8th century  (Boeheim  1890,
            gische buechstaben gestuckht,  samt  seinem  were white in color—just as the Vienna shield  183;  Madrid 1898,161).     C.B-S.
            fuetral"  (Boeheim 1888,  279). Exactly how it  originally  was. They were said to be cured in milk












































                                                                                            EUROPE  AND  THE  MEDITERRANEAN  WORLD    175
   171   172   173   174   175   176   177   178   179   180   181