Page 553 - Art In The Age Of Exploration (Great Section on Chinese Art Ming Dynasty)
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captors attired  in jaguar and eagle costumes.  The  tangular  frame  is lacking, it is unlikely that this
                                                 victims were then flayed and their skins donned  was intended  to represent a year.  Though  2 Reed
                                                 by Xipe impersonators  (xipime),  who for the  next  was the  calendrical name of Tezcatlipoca, there
                                                 twenty days went through the streets as mendi-  is no clear connection with Xipe Totec. Therefore
                                                 cants begging  food  and presents and blessing  the  the presence of this inscription on the  statue
                                                 people and their  children (Couch 1985,  41-48).  cannot be explained.
                                                 At the  end of this time the reeking skins were                              M.D.C.
                                                 thrown into a ceremonial pit.
                                                   This sculpture is the  standard representation of
                                                 the  god, shown as one of the xipime:  the imper-
                                                 sonator's own face looks out from  the  skinned face  37O
                                                 of the victim, tied in the back of the head  with
                                                 cords, while the  skin of the body, complete with  ClHUATEOTL
                                                 dangling hands but missing the  feet,  is similarly
                                                 tied up on the back. A realistic touch is the  Aztec
                                                                                            volcanic stone
                                                 sutures closing the horizontal cut through  which  71 x 48 x 44 (28 x  i8 /s  x i/ /sj
                                                                                                                3
                                                                                                           7
                                                 the heart had been extracted. The body of the
                                                 impersonator was painted red, and it is likely on  CNCA—INAH—  MEX,  Museo  National  de
                                                 the basis of representations of Xipe in the codices  Antropologia, Mexico  City
                                                 that the victim's skin was once painted yellow.
                                                   In the upper part of the body opening on the  In Aztec religious thought,  the  cihuateteo (sing.
                                                 back can be seen the  calendrical sign 2 Reed, the  cihuateotl, "goddess") were the  deified  spirits of
                                                 designation of the year in which the  new  fire  women who had died during their  first childbirth:
                                                 ceremony was held, the last one having taken  they had nobly perished fighting the warrior who
                                                 place in  1502.  However, since the  square or rec-  struggled within them, and they dwelled, like the




















      369
      XIPE  TOTEC


      Aztec
      volcanic stone
            2
      77.5  (30 /2)
      National Museum  of  the American  Indian,
      Smithsonian  Institution

      Xipe Totec was god of the  springtime and of  the
      renewal of vegetation  by the  coming of the  rains.
      He was also patron of the  gold workers.  It was
      Xipe who afflicted  people with  skin ailments and
      diseases of the  eyes and subsequently brought
      relief  from  these ills when prayers and vows were
      made in his  honor.
        Xipe's principal festival took place in April, at
      the end of the dry season,  in the  "month" called
      Tlacaxipehualiztli  ("flaying of men"), and his own
      name means  "the  flayed one, our lord."  In this,
      one of the most important  celebrations  in  the
      annual cycle, gladiatorial  sacrifices were staged in
      which the  bravest of captives died, slain by their

      552   CIRCA  1492
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