Page 558 - Art In The Age Of Exploration (Great Section on Chinese Art Ming Dynasty)
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                                                                                                HUEHUETL
                                                                                                Aztec
                                                                                                wood
                                                                                                                      5
                                                                                                                 2
                                                                                                84  X 50  X 50  (33 Vs X 19 /2 X 19 /8J
                                                                                                CNCA—INAH—MEX,  Museo  National de
                                                                                                Antropologia, Mexico  City

                                                                                                The name of this type of vertical drum in  the
                                                                                                Nahuatl language is huehuetl or  tlapanhuehuetl.
                                                                                                Two surviving huehuetls in particular are notable
                                                                                                for  the  fine workmanship of their  decoration.  One
                                                                                                of them  comes from  Malinalco (Nicholson 1983,
                                                                                                144-147), and the other from  the village of
                                                                                                Tenango (Castaneda and Mendoza 1933), both
                                                                                                located in the  State of Mexico.  The drum  shown
                                                                                                here is the one from  Tenango.
                                                                                                  This drum was worked from  a section  of a tree
                                                                                                trunk that was hollowed out and shaped like a
                                                                                                cylinder;  the upper part was covered with a skin
                                                                                                to be struck with hands or hammers.  The Tenango
                                                                                                drum's three supports resemble the  battlements
                                                                                                of pre-Hispanic buildings turned upside-down.




          duce a harmonious sound. This type of drum was
          the usual accompaniment for poetry recitals.
            Of the many teponaztlis  in the Museo
          National's collection, this one, from Tlaxcallan,
          is certainly the most important.  It represents a
          Tlaxcalteca warrior who, following the  shape of
          the instrument,  reclines on one side, while his
          head and arms are directed toward the front. He
          displays the headdress insignia of the  great war-
          riors and carries a flower  in one hand.  His  skill
          in warfare is demonstrated by his handling of
          different  arms.
            There had long been antagonism between  the
          Tlaxcaltecas and the Aztecs, and this became
          intensified  from  the time of Motecuhzoma Ilhui-
          camina's government  (1440-1469), during which
          time both peoples agreed to the  establishment of
          the xochitlyaoyotl  (flowery war); this was a kind
          of military  tournament,  where the bravest war-
          riors of the nations  faced  each other.  Their pur-
          pose was neither territorial dominion nor plunder,
          but rather to capture the enemy alive, tie his  feet
          and hands, and carry him to the victor's camp.
          Later the  captives would be taken to Tlaxcallan,
          where they would be exhibited as war trophies.
          Eventually the prisoners would be sacrificed in
          honor  of the  gods.                 F. s.













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