Page 561 - Art In The Age Of Exploration (Great Section on Chinese Art Ming Dynasty)
P. 561

wears a red band, which is adorned with two blue
                                                                                              crescents and a blue bird in the center. Her head-
                                                                                              dress takes the  form of a diadem  consisting of
                                                                                              nine large, ocher-colored plates that  symbolize
                                                                                              feathers.  She wears a nose ornament, in the form
                                                                                              of a horizontal polychromed bar with  two round
                                                                                              blue plates,  and large circular earrings.  Her  face is
                                                                                              painted black, her  eyebrows are blue and adorned
                                                                                              with circles of different  colors,  and an ocher band
                                                                                              appears near her mouth.  She wears a polychromed
                                                                                              quechquemitl with a border decorated with the
                                                                                              motif  of hands.  Two red  and blue ribbons  fall
                                                                                              from  the garment's center,  and from the  rear
                                                                                              emerge two bands with black rhombuses, circles,
                                                                                              and tassels.  Bird's claws spring from  the  figure's
                                                                                              knees, and she wears sandals with  tassels on the
                                                                                              heels.  Twenty-four triangular tassels adorn  the
                                                                                              brazier's upper edge.
                                                                                                Censers of this type were used to burn copal
                                                                                              resin, the  sacred incense of all the  Mesoamerican
                                                                                              peoples.  Copal smoke was considered to be the
                                                                                              medium through  which humans  communicated
                                                                                              with the  gods.                    E.M.M.








                                                                                              383

                                                                                               SHIELD

                                                                                              Mixtec-Aztec
                                                                                              wood, turquoise
                                                                                                           2
                                                                                              diameter 31.8 fi2 /2J
                                                                                              National  Museum  of  the American Indian,
                                                                                              Smithsonian  Institution


                                                                                              According to Saville  (1922, 47), who was the  first
                                                                                              to describe this shield, it was found  somewhere in
                                                                                              the  Mixteca region of Puebla in a deposit of cere-
                                                                                              monial objects of wood, seventeen of which were







        blue-green used for the wrists and eye cavities.  382
        Although  it was found in pieces, the  statue had
        been repaired at one time with  a natural resin.  ANTHROPOMORPHIC  BRAZIER
          With one of his hands this monkey  holds down
        its tail, and in the other  it holds some object that  Aztec
                                                    polychromed earthenware
        unfortunately  has broken off.  The animal is a  91 x  76 x 57.5  (35 /s x  29%  x  22 /s)
                                                                           5
                                                                 7
        pregnant  female, which curiously  appears to be
        defecating.  Pregnancy, childbirth, and excrement  CNCA—INAH—MEX,  Museo  Templo  Mayor,
        (which also symbolized  gold) were traditionally  Mexico  City
        associated with the wind that brings rain and
        thereby fertility  to the earth.  F.S. and  M.D.C.  This elaborate  temple  vessel is decorated with a
                                                    figure in relief representing a mysterious  stand-
                                                    ing female, whose  extended  arms  and  fleshless
                                                    face emerge from  the  head of a bird.  The  figure

        560   CIRCA  1492
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