Page 118 - The Wellington photographic handbook
P. 118

one being continually placed on top, so that each print receives
                   attention in turn.

                             JUDGING THE DEPTH OF TONING.
                       The progress of toning must be judged by transmitted light,
                   that is to say, by the appearance of the prints when held up to the
                   ligut and looked through.  The exact depth to which they should
                   be toned is to be recognised without difficulty when one or two
                   have been made.  It is most important, however, if the prints are
                   to be turned out in a uniform manner, that toning shall always be
                   done in the same light—that is to say, if daylight is generally used,
                   the worker will find himself all astray if he tries to tone his prints
                   to a similar tone by lamplight.  This remark applies to all toning
                   processes of every kind which depend on the operator stopping them
                   when he judges the right stage to be reached.  By incandescent
                   gaslight the daylight worker can judge his tones fairly well, though
                   still not accurately, but by lamplight or ordinary gaslight the same
                   tone will look entirely different.
                       It should be remembered in toning prints that they always
                   dry a good deal colder in colour than they appear when wet.  They
                   should, therefore, be taken from the toning bath while still decidedly
                   red if a warm tone is desired.  If a colder shade is wanted, then
                   toning must be stopped at the purple-red shade.  Care should be
                   taken not to over-tone, otherwise flat, colourless prints will result.
                       A quantity of solution sufficient for a given number of prints
                   having been prepared, the whole of the prints to be toned should
                   be placed in the bath as quickly as possible, taking care that each
                   is placed well under the solution, kept moving, and that none of
                   the prints are allowed to cling together.  The batch having been
                   toned the solution should be discarded and fresh used for the next
                    batch.  If the proportion given above,  i.e., 16 ounces of solution
                   for twenty-four half-plates, is observed there will be little waste
                    of gold.  Strengthening up an old bath for use on a second occasion
                   will have the result of producing inferior prints without effecting
                    any economy in chemicals.  Rather less than the above quantity
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