Page 138 - The Wellington photographic handbook
P. 138

THE BROMIDE       PRINT FOR      BROMOIL.

                      In theory any bromide paper may be used for brorrioil, but it
                  will be found in practice that the recently introduced WELLING-
                 TON BROMOIL PAPER offers advantages over all others.  Wel-
                 lington Bromoil Paper is made in two grades
                                                          :
                             White Smooth (Double weight.)
                             Cream Rough
                                           (  „     „   )
                     The bromide  print  should  be  developed  with  amidol  or
                 M.Q.  developer, and should be a good,  clean,  fully developed
                 print, with plenty of half-tones and without clogged shadows.
                     Before attempting the Bromoil Process the reader should
                 fully master the art of bromide printing, which is described on
                 pages 42 to 52.
                     The  first essential  is a good bromide print upon which to
                 work, the bromoil process, as mentioned above, being founded on a
                 combination  of bromide  printing and  the oil-pigment  process.
                 In  brief, the silver image of the bromide print or enlargement
                 is replaced in the finished result by actual  oil pigment, which
                 incidentally renders the process an extremely permanent one.
                     To achieve this, a certain chemical action must be employed,
                 as it would be obviously impossible to convert the image of the
                 bromide picture into a bromoil by simply dabbing  oil pigment
                 on the surface of the print.  If this were done, the result would
                 be merely to smudge the pigment or  "  ink," as it is called, all over
                 the surface equally, until the original picture was entirely covered
                 up.  To enable the oil pigment to "  take "  in the right places on
                 the print—that  is, where the shadows and half-tones are—it  is
                 necessary that the surface of the print should be rendered of such
                 a character as to be receptive of oily substances in these parts
                 only and in due proportion, whilst the high-lights of the subject
                 must be so prepared as to resist the application of the pigment.
                           A RELIABLE BROMOIL BLEACHER.
                     To bring this about, it is first of all necessary to bleach the
                 bromide print in much the same way that is adopted when sulphide
                 toning  ; but other chemicals are employed, and the success of the
                                                                     Many
                 operation depends largsly upon the efficacy of this bleacher.
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