Page 140 - The Wellington photographic handbook
P. 140

washed and dried, is placed in  it.  (It should be noted that the
               bleacher should be warmed up to a temperature of about 90 deg.
               Fahr.)  Very rapidly the black and white image will disappear
               until a very  faint,  yellowish-grey image only remains.  When
               the whole of the image is completely bleached, which may take
               a few minutes, the print is removed from the bleaching bath and
               washed in one or two changes of water, also of a temperature of
               80 to 90 deg. F.  It is then placed in a fixing bath composed of
                    Hyposulphite of soda  ...  ...  3 ounces  75 grammes
                    Water to                20  „        500 c.z.

               This should,  if possible, also be of a similar temperature to the
               washing water.  The print is then finally washed for ten minutes
               or so to remove the last traces of hypo.
                   During this final washing process many workers find  it an
               advantage to use a little ordinary yellow soap in one of the washing
               waters, forming a lather which is laved over the surface of the
               print.  This  assists the bleached image  in  its  " taking " and
                        "
               " repelling  action towards the oily pigment.
                   The effect of the bleaching and washing on the print is not
               only to remove the black and white image so that the entire picture
                                "          "
               can be built up or  developed  on practically plain paper with
               oil pigment, but it will be found that where the shadows of the
               original image appeared on the surface of the print the gelatine
               is now much harder than where there was little or no image, as
               in the high-lights.
                   This difference can be readily detected by feeling the surface
               whilst wet, and in the case of pictures with strong contrasts a
               distinct relief can be observed, the high-lights being more absorbent
               of water and swelling a trifle above the surface of the paper, while
               the shadows are clearly below the level of the high-lights.  In
               other words, the entire picture can, under certain circumstances,
               be seen in low relief.  This, however, is not so essential and reliable
               a test of the correct receptiveness of the print for pigmenting
               as that demonstrated by the sense of touch.  In a very little time
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