Page 145 - The Wellington photographic handbook
P. 145

be found that the ink immediately adheres to the shadow portion
           and  distinctly  refuses  to  stick  to the  high-lights.  Hence the
           choice of this particular spot, as it will clear your mind at once as
           to what is going to happen.  If the instructions given so far have
           been carried out carefully, there is not the least reason why the
           pigmenting performance should not be successfully accomplished
           at the first time of asking.
               The process consists now merely of transferring a sufficiency
           of the pigment from the palette to the surface of the print.  This
           sounds simple enough, and after a very little practice it is so.  The
           skill of the bromoil worker, however, develops with his increased
           practice until he is able by judicious brush action and the applica-
           tion of more or less pigment to  build up or " physically develop
           the image in any desired place that the composition may demand.
           It will be found that a slow  " pressing  " movement of the brush
           will deposit more pigment, and if dealing with a shadow the more
           the brush charged with pigment  is applied with this caressing
           action to this part of the print the heavier the tone will become.
           On the contrary, a quick  " hopping  " movement, in which the
                          "        "  or bounced smartly on to the surface
           brush is literally  hopped
           of the print, will remove the pigment  ; so that with this means of
           control it is quite possible to lighten or darken any particular tone
           or mass of tones in any part of the print at will.

                      HINTS FOR SUCCESSFUL WORK.

               Care should be taken when approaching the edges of the print
           not to get the brush wet by letting it work over the edge on to the
           damp blotting paper.  Otherwise, if this part of the wet brush is
           transferred to the print it will immediately remove the pigment
           already applied and the work will have to be done over again.  It
           is always as well, therefore, when making a bromide enlargement
           for the purpose of bromoiling, to allow a little margin to the print
           that need not be pigmented.
               Two points that the beginner has to remember when pig-
            menting a bromoil are—first, do not be in too great a hurry.  Do
                                       119
   140   141   142   143   144   145   146   147   148   149   150