Page 298 - Some Dance to Remember
P. 298

268                                                Jack Fritscher

            spends forty minutes every day on her upside-down board. She says, ‘Time
            is a friend, but gravity is the enemy.’ Sometimes old people grow to a
            wisdom.”
               “Ry,” Kick said “I’ve got a brain, but you’ve got a mind. What are
            you saying?”
               “I’m saying that the point of Universal Appeal is the taking of strength
            training beyond strength to achieve power. Power is the ability to apply
            strength. That’s basically what I’ve written. That’s what I think you’ve done
            with bodybuilding. I think that’s how far muscle can go. Your physical
            training has brought you a certain power. You’re more than a bodybuilder
            on Castro. You’re more than Mr. San Francisco. You’re a symbol.”
               Ryan unsheathed the manuscript. He told Kick about Emerson’s
            theory of representative men and how a strong presentation of self could
            aid others in defining their own selves. “The way,” Ryan said, “you made
            me more me.”
               Kick shook his head. “How could I not love a man who not only
            teaches me about the Oversoul, but plugs me into it!”
               “Take your tongue out of your cheeky cheek.”
               “Someday I’ll figure out how I’m me and more than me,” Kick said.
               “One thing always means two things.” Ryan frowned inside, think-
            ing about the Davies Hall fiasco, but he smiled at Kick the way lovers
            smile across a small table in a public restaurant, thinking more about the
            evening sport ahead.
               Universal Appeal.
               Danger lurked in their project. They had always known it. But they
            had agreed, that for all their keeping the secrets of their relationship a
            mystery on the streets of the Castro, the time had come to represent Kick
            in a way more public than even his physique presentations on stage.
               “Privacy,” Ryan had once warned, “is the last luxury. That’s why I
            never write autobiography.”
               Both remembered the night when they had first conceived the book.
            Kick had shown Ryan pictures taken of him when he was nineteen by a
            photographer in Florida. Kick, in those teenage snapshots, showed all the
            potential he later actualized in the medium of his body.
               “I’ve always had so many looks to play with,” Kick had said. “So many
            people think there’s something vain about looking good. I was embar-
            rassed in my teens and twenties, because I was overwhelmed. I saw what
            I looked like, but I wasn’t ready on the inside to deal with the physical
            gifts on the outside. It was a struggle for me to go to my first gym. I knew
            what might happen. I thought I had potential. My dick in my hand in

                      ©Jack Fritscher, Ph.D., All Rights Reserved
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