Page 20 - The Sloughi Review - Issue 6
P. 20

T  H  E     S  L  O  U  G  H  I     R  E  V  I  E  W                                                  2  0























                                        Chetoui and Nefta, Meknassy, 1999 © de Caprona

          Gisela Bergmann also writes in her letter to         Dominique de Caprona reports:
          Dominique de Caprona:

                                                               “… Soufi (Soufyan) had a brother Chetoui. He
          “…the Stichelmeirs have pure Tunisian                came from the Bergmanns to Meknassy to

          Sloughis from Meknassy,  almost identical in         the son of Hussein Ghabri. He also has a
          origin to ours. We got a STAK's son from             sister there, Nefta."
          them from their Tunisian Sloughia [Assia],

          SOUFI, gray-sand brindle, very similar to            But there were not only imports of Sloughis
          the great-grandmother SARAH. A couple of             to Europe, Sloughis bred by the Bergmanns
          red full siblings from SOUFI have returned           were also used for hunting and breeding in
          to Meknassy to help the Sloughi population,          Tunisia. This is all the more important

          which has since become almost extinct due            because the Sloughis used there were also
          to the parvovirus imported from Europe, and          used for their intended purpose, the hunt,
          which we have tried to support in recent             that started in ancient times with the
          years with around twenty offspring of our            ancestors of today's Sloughis, and possibly

          animals exported to the south, with varying          even with the ancient Egyptians. The
          degrees of success."                                 documented game hunted was hare,
                                                               gazelle, fox and jackal.






















                         Dinah, 1980s © Stichelmeir                            Soufi, 1994 © Biebach
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