Page 165 - Composing Processes and Artistic Agency

154 Index
experience, situative; in situ 17, 77n5, 81, gesture 31, 38, 48
85, 86, 99 Gibson, James J. 33; see also affordance
experiment, musical 34–35, 50, 58, 60, Giddens, Anthony 2, 43, 44
64, 66, 72, 76, 86, 99, 104, 127, 140, goal-directedness 58, 62, 75
141; see also exploring; trying out goal-orientedness 5, 32, 75
expertise 25, 30, 51, 64, 83, 92; see also goal 2, 3, 19, 24, 32, 44, 73, 77n7, 80, 84,
competence 96, 125
explanation 3, 15, 30, 57, 82, 93, 112; Goethe, Johann Wolfgang 90
see also justification Graf, Max 117
exploring, exploration 9, 34, 59, 60–69, “Gramigna” (by Stefano Gervasoni) 124
71–73, 75, 76, 80, 86, 87, 97, 106n3, Greeno, James G. 33; see also affordance
134–136; see also experiment; playing
around; research habit; habitual 20, 38, 39, 44, 58, 60, 75,
83, 84, 95, 99, 119; see also routine
Falb, Viola ix, 16 habitus 131
familiarity, familiar 25, 29, 30, 34, 36, 38, hand 35, 36, 37, 38, 47, 73, 88, 89, 126;
63, 83, 96, 98 see also body; fingers
feedback 23–24, 26, 36, 121 Harnik, Elisabeth 50, 92–93
feel, feeling 23, 28, 36, 46, 59, 62, 68, 74, Hausegger, Friedrich von 115–120, 131
80, 83, 85, 86, 89, 90, 92, 100, 116, Hawthorne, John 103
144; see also emotion hearing; listening 17, 20, 21, 35, 36, 65,
feeling, intuitive 3, 86, 87, 138, 145 67, 68, 71, 76, 85, 86, 87, 88, 94, 95,
feeling, situative 24, 76, 86 100, 105, 106n4; see also ear;
fine-tuning 17, 28, 37, 73, 74, 97, 99 experience, auditory
fingers 86, 88, 89, 101; see also hand Heidegger, Martin 4, 61, 106n5
Fischer-Lichte, Erika 136 “Herbecks Versprechen” (by Karlheinz
flow of action 8, 38, 61, 93, 104 Essl) 6, 17, 35–36, 48, 63–67, 77n4, 89,
formalisation 50, 120 127, 130, 133, 139–141, 142, 143
fragility of the creative process 8, 82, 97 Hill, Juniper 104
Fricke, Stefan 111 Hindemith, Paul 118, 120
function, constitutive of material objects
37, 39 ideas 16, 23–26, 33–34, 37–39, 44–45,
function, creative-epistemic of material 52, 58–60, 70–72, 120–123, 129,
objects 41 131–134, 144
function, generative of material identity; self-representation; self-image
objects 39 43–44, 75, 96, 102, 133, 144
function, generative of immaterial ideology 43, 93
objects 52 imagination, musical 23, 25, 31, 49, 52,
function, regulative of material objects 63, 88, 114, 118, 131–132, 136,
34, 37, 39 138, 148n1
function, transformative of immaterial improvisation; improvising 34–35, 67,
objects 52 77n6, 83, 114, 127, 129, 141
incorporation see embodiment
Gadenstätter, Clemens ix, 6, 23, 25, 38, incremental 58–59, 73–76, 135
39, 40, 43, 45, 49, 84, 92 individualistic explanation 3, 75, 97, 122
Gander, Bernhard ix, 18, 21, 24, 25, 26, influence 53n4, 96; see also artistic
29, 30, 31, 38, 90, 96 models
Geertz, Clifford 7, 77n7 inspiration 19, 25, 32, 37, 117–120, 122,
genesis of an artwork 111–114, 119, 123, 125, 131
131, 145, 148 Institut de Recherche et Coordination
genius, the concept of 2, 93, 112, 113, Acoustique/Musique (Ircam) ix, 6, 16,
114, 115, 118, 148n1 64, 113, 124, 140
Gervasoni, Stefano 113, 124 institutional conditions; institutional
gestalt 8, 33–34, 39, 58, 63, 75, 89, 92, 103 structures 2, 4, 13, 95