Page 169 - Composing Processes and Artistic Agency
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158  Index
            “Suicidal Self Portraits” (by Marko  Valéry, Paul 114
              Ciciliani) 69, 70, 72, 126      value 2, 65, 97, 114, 117; see also
            “Symphony No.2” (byGustavMahler) 145  valuing
            Szivós, Mihalyi ix, 3, 22, 85, 105–106n1  valuing, valuation 2, 4, 9, 61, 63, 65–76,
                                                80, 86, 90, 95, 100, 105
            Tadday, Ulrich 112                Varga, Judit ix, 16, 18, 20, 21, 34, 37,
            talent 93, 97                       39, 83
            Taylor, Charles 4, 60, 80, 82, 88, 100, 104  “Voi(Rex)” (by Philippe Leroux) 124
            teleo-affectivity 4, 62–63         Vygotzky, Lev 41, 43, 81
            teleology, teleological 4
            textualist paradigm 57, 60        Wallas, Graham 57, 134
            thinking, compositional 15, 39, 47,  Weber, Max 84
              48, 51, 65, 72, 92, 95, 121, 124,  Wertsch, James 41, 81
              136–148                         Williamson, Timothy 103
            thinking, conceptual 45, 47, 91, 105, 121,  Wittgenstein, Ludwig 4, 19, 32, 37, 38,
              126 see also reflection; knowing that  43, 47, 60, 61, 95, 100, 104, 106n5
            time pressure 18, 28, 92, 128; see also  work of art; musical composition 1, 9,
              resources of time                 15, 21, 43, 44, 60, 80, 111–112
            tool 3, 33–41, 47, 50, 52, 53n5, 60, 66,  work phases; work stages 5, 8, 39, 57, 66,
              82, 83, 106n1, 111, 133, 141; see also  120–123, 134
              objects                         workplace; workspace; studio 19–20,
            tradition 2, 3, 8, 9, 26, 27, 33, 34, 43,  33, 36
              53n4, 58, 60–61, 81, 90, 93, 95, 100,  work process 14,17–19, 23, 28–29, 36,
              104, 121, 124, 129                38–39, 50, 51, 57–60, 62, 63–76,
            training 3, 4, 6, 30, 35, 43, 44, 65, 85, 88,  82–85, 90–92, 97–99, 100, 104, 114,
              94, 96; see also education; learning by  115, 123, 126–128, 130; see also
              doing                             process, creative
            trying out 34, 35, 51, 58, 62, 64, 66, 67,  Wozny, Joanna ix, 6, 30, 59, 87, 125, 128,
              85–86, 89–90, 99, 101, 123, 140, 145  129, 132, 134, 135, 136–138, 139
              see also experiment, musical;   writing (as activity) 25, 37, 43–49, 62, 76,
              exploring                         90; see also making
            Tsoukas, Haridimos 80, 96         writing by hand; handwriting 37–38
                                              writing materials 14, 33, 37–39, 41
            understanding (as an activity in  writings (Notizen) 15, 27
              composing) 60–61, 63, 65–76, 81  writing software see programming
            understanding, intransitive 38
            uniqueness 75; see also particularity  Xenakis, Iannis 91, 120–122
            Unterpertinger, Judith ix, 15, 18, 20, 24,
              27, 44, 45, 83                  Yanow, Dvora 80
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