Page 125 - Metro
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Phillips argues, ‘I don’t think there’s anything wrong with ([HPSOLI\LQJ WKH UHDFK RI RXU ĺOPV DEURDG D 6FUHHQ $XVWUDOLD
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that some reworking of the script is inevitable. ‘You have to be @ kKL SG@S RTHSR @ BN OQNCTBSHNM SQD@SX Q@SGDQ SG@M CNHMF VG@S
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address ‘an increasing awareness that our screen hasn’t been EHWZHHQ DOO WKH FUHDWLYH DQG ĺQDQFLDO HOHPHQWV DFURVV WZR
necessarily representing contemporary Australian culture, with different cultures.’
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1 See Screen Australia, )ULHQGV ZLWK %HQHƄWV $ 5HSRUW RQ
Creating for different markets
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only an afterthought: ‘It’s basically aimed at teenage girls in -report-copy.pdf! DFFHVVHG 1RYHPEHU
China. That’s the biggest audience in the world.’ But others 2 6DQG\ *HRUJH %HUQDGHWWH 5KHLQEHUJHU o3DUW ,QWHUQDWLRQDO
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